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Showing posts with label Asian Cinema. Show all posts
Showing posts with label Asian Cinema. Show all posts

Year: 2015
Director: Hou Hsiao-Hsien
Writer: Ah Cheng, Chu T'ien-wen, Hou Hsiao-Hsien, Hsieh Hai-Meng, Pei Xing (short story)
Cinematographer: Lee Ping Bin
Cast: Shu Qi, Chang Chen, Tsumabuki Satoshi
Country of Origin: China/France
Time: 105 min.



Sal from Crome Yellow and I got to witness one of the most beautiful films of this year at Beyond Fest which is Hou Hsiao-Hsien's The Assassin. In ninth-century China, an exiled assassin must choose between love and her duty when she is ordered to kill a man from her past. This is unlike any other martial arts film you have ever seen! The film showcases the most stunning and breathtaking cinematography that will transport you through time and space to witness a story truly visionary and masterful. Any fan of Hou knows the steady pace he utilizes and to some it may be too slow, but with these kind of rich visuals, who cares!



The Assassin is China's official entry to the Oscars for Best Foreign Language film. It might have some serious competition with Deniz Gamze Ergüven's Mustang from France but regardless, you should experience these two singularly powerful films for themselves. I had a chance to go to a q&a with Hou a day after where he went over his filmography and filmmaking style. All I can say is that he is such a wacky cat! I need to definitely to check out his previous works because if they are anything like The Assassin, I am in for a real treat! 


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UPDATED: 4/20/15

I had the immense privilege in partaking in the programming of the largest and most renowned Asian American Film Festival in the world based right here in Los Angeles! The 31st Los Angeles Asian Pacific Film Festival kicks off on April 23 to the 30th showcasing the best cinema that Asian and Asian Americans have to offer! It feels awesome to see so many talented people come together to support minority filmmakers, actors, content creators, and much more! I had made some suggestions on the LAAPFF website but there are way too many films that need to be seen that I really did not want to restrict myself to just two! Obviously, every one of these films are worthy of viewing but here are a list of films that continue to contribute to the forward-thinking, edgy, and bold voices in the landscape of Asian and Asian American cinema! 

There are so many films to suggest so instead of blabbing on and on about why I love these films, I'll let the trailers do all the talking! Shall we?

Tour de Force Performance ---> MARGARITA, WITH A STRAW




Intimate & Powerful story about the Unlikely ---> TWINSTERS




Good ol' Broming of Age in K-town ---> KTOWN COWBOYS




One Word: Donnie Yen ---> KUNG FU KILLER




Refreshing & Emotionally Bold Sci-fi & Social Commentary ---> ADVANTAGEOUS




Hilarious & Fierce Take about Being #1 ---> MISS INDIA AMERICA



An Important & Harrowing Look at China---> THE CHINESE MAYOR




Super Kawaii & Badass Mystery Story ---> THE WORLD OF KANAKO




No One Does Romance Like Wong-Fu ---> EVERYTHING BEFORE US




XXXTreme Teen Spirit + Girl Power ---> TOP SPIN




Breathtaking Cinematography in Futuristic Vietnam ---> 2030



The One Documentary S. Korea Didn't Want You to See ---> THE TRUTH WILL NOT SINK WITH SEWOL



There are also other films like (Sex) Appeal that I definitely got to see! Just because I didn't list other films doesn't mean I don't recommend them but these are the top films that resonated with me the most. There are so many films that will cater to every audience whether it is the LOL bromedy, Man Up starring Justin Chon and Kevin Wu or a story of a former Yazuka who decides to change his life and help other outcasts in June Bride: Redemption of a Yazuka, or the ever so relevant subject of gentrification that is plaguing numerous places including Chinatown, Vancouver as seen in Everything Will Be

No matter what you decide to see, it is most definite that you will leave very pleased at your selections! So come through to Little Tokyo, Koreatown, or Hollywood to see these! & if you do see me, don't forget to say HIIIIIIIIIII!

P.S. Turns out I'm doing the intro and Q&A for Twinsters, Top Spin, Miss Indian America, and 2030 so come by!!!
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Sundance is less than a week and I am proud to announce that I will be attending this year's Sundance Film Festival! I am continuously impressed by Sundance's extensive and expansive selection of films every year! And of course, I am enthralled by just the sheer fact that I will be breathing the same icy air as these wondrous filmmakers, press, and film lovers alike! Going to Sundance has been a life-long dream of mine so I am definitely starting out 2015 right! There are so many great films at this festival but sadly, I was only able to get 10 tickets for right now. So naturally, I had to ensure that those 10 films were all on my ultimate MUST-SEE list and I am proud to say that I was able to get everything I had wanted. So without further ado, here are the top films I got tickets for as well as the other brilliant films I desperately want to see!



Tickets I've Already Gotten:


Tangerine (Dir. Sean Baker)

A working girl tears through Tinseltown on Christmas Eve searching for the pimp who broke her heart. Cast: Kitana Kiki Rodriguez, Mya Taylor, Karren Karagulian, Mickey O'Hagan, Alla Tumanyan, James Ransone.

Why
: I am so drunk in love with Sean Baker's filmmaking style and stories that highlights underrepresented  communities with such sincerity and ferocity. And Tangerine especially because the story takes place on the nitty gritty streets of Los Angeles featuring transgender actresses in all their glory! I don't expect anything less than a visceral, intoxicating, and dynamic film experience from Sean. The man basically can do no wrong! His previous films, Take OutPrince of Broadway, and Starlet are all on Netflix so get on it folks!


Advantageous (Dir. Jennifer Phang)

In a near-future city where soaring opulence overshadows economic hardship, Gwen and her daughter, Jules, do all they can to hold on to their joy, despite the instability surfacing in their world. Cast: Jacqueline Kim, James Urbaniak, Freya Adams, Ken Jeong, Jennifer Ehle, Samantha Kim.

Why: Just watch the short film version of Advantageous and you will know why. This premise is so dense, I can't wait to see a full-length feature of them really digging into this world that talks about complex social issues about economies, values, and gender disparity. And it doesn't hurt that there is an Asian woman in the forefront of this film that isn't sexualized or a tiger mom in any way.


Knock Knock (Dir. Eli Roth)

Two beautiful young girls walk into a married man's life and turn a wild fantasy into his worst nightmare. Cast: Keanu Reeves, Lorenza Izzo, Ana De Armas, Aaron Burns, Ignacia Allamand, Colleen Camp.

Why: Two Things: Keanu Reeves and two girls. What could possibly go wrong?! Oh man, so many things and I've grown to love Keanu more and more these days after John Wick and Side by Side. So, I'm really hoping shit goes down and Eli Roth is gives us some sexy time with this uber attractive trio. Of course, some gun play wouldn't be so bad either.


Seoul Searching (Dir. Benson Lee)

A comedy set in the ’80s about a group of foreign-born Korean teenagers who meet at a Seoul summer camp to learn what it means to be Korean. The three boys, from the U.S., Mexico, and Germany, then meet three girls who rock their world. Cast: Justin Chon, Jessika Van, In-pyo Cha, Teo Yoo, Esteban Ahn, Byul Kang.

Why: I've been a fan of all of Benson Lee's work since his first documentary about B-Boys called Planet B-Boy so naturally, I was interested in his new work which is a teen comedy, featuring an all Asian cast! In the 80s! In Korea! I've been waiting to see another teen high school comedy since forever and with the merging of Koreans from all over the globe, it is bound to get so culturally diverse in this film! Check out the film's teaser because it looks like a freaking riot! 


Pervert Park (Dir. Frida Barkfors & Lasse Barkfors)

Pervert Park follows the everyday lives of sex offenders in a Florida trailer park as they struggle to reintegrate into society, and try to understand who they are and how to break the cycle of sex crimes being committed.

Why: The title alone the reason why I am so intrigued because as much as I fear for my life of having an incident with a sex offender, they are (obviously) people as well who are battling with their own demons. It'll be a nice and eye-opening documentary to see their perspective of their crimes and situation in-depth than what meets the eye.


The Nightmare (Dir. Rodney Ascher)

A documentary-horror film exploring the phenomenon of sleep paralysis through the eyes of eight people. They (and a surprisingly large number of others) often find themselves trapped between the sleeping and awake realms, unable to move but aware of their surroundings while subject to disturbing sights and sounds.

WhyGetting sleep paralysis is LIT.ER.ALLY. my worst nightmare and I wish it never happens to me like it has to so many other people. So why am I watching a film about something that I am so horrified by? Ascher's previous documentary, Room 237 was superbly made and I am continuously fascinated by his work and subjects. So while just the act of watching this documentary will be pure psychological punishment, I'm doing it for the art! And cause I'm a masochist. Horray?


Dope (Dir. Rick Famuyiwa)

Malcolm is carefully surviving life in a tough neighborhood in Los Angeles while juggling college applications, academic interviews, and the SAT. A chance invitation to an underground party leads him into an adventure that could allow him to go from being a geek, to being dope, to ultimately being himself. Cast: Shameik Moore, Tony Revolori, Kiersey Clemons, Blake Anderson, Zoë Kravitz, A$AP Rocky.

Why: Y'all know me and Los Angeles films! We need more of them! Especially ones that show the unfiltered version of LA and not the glitzy glam of Hollywood. And I always love a good coming-of-age storie with a diverse cast like this one! Who can deny Tony Revolori after The Grand Budapest Hotel! Tbh, this film just looks dope, just as the title implies and with a film with A$AP Rocky, I wouldn't expect anything less! *Cue A$AP Rocky's Wild for the Night*


Songs My Brothers Taught Me (Dir. Chloé Zhao)

This complex portrait of modern-day life on the Pine Ridge Indian Reservation explores the bond between a brother and his younger sister, who find themselves on separate paths to rediscovering the meaning of home. Cast: John Reddy, Jashaun St. John, Irene Bedard, Taysha Fuller, Travis Lone Hill, Eléonore Hendricks

Why: I have not seen any of Zhao's previous works but as she is supported by every independent film organization including IFP and Film Independent, I would definitely like to see her work! The premise and image seems like she will tell a unique story about Indians like we've never seen before. And to be honest with you, I don't think I've ever seen a film about Native Americans so it'll be great to see a story that explores their culture, land, and identity. 


City of Gold (Dir. Laura Gabbert)

Pulitzer Prize-winning critic Jonathan Gold casts his light upon a vibrant and growing cultural movement in which he plays the dual roles of high-low priest and culinary geographer of his beloved Los Angeles.

Why: Jonathan Gold is my go-to guy when I don't know what to eat and as he is an iconic figure of Los Angeles, I must watch this film! I mean the guy was born in Los Angeles, went to UCLA, and now works for The LA Times! I don't know anyone who is more LA than Gold right here! His eccentric look and positively vivacious writing about food (specifically ethnic food) is what makes him so damn unique as a critic and a figure in the food industry. 


Hot Girls Wanted (Dir. Jill Bauer & Ronna Gradus)

Hot Girls Wanted is a first-ever look at the realities inside the world of the amateur porn industry and the steady stream of 18- and 19-year-old girls entering into it.

Why: Why not?! Just the word porn is provocative enough to make me watch this documentary but also considering that it focuses on young women, it would be fascinating to see their perspective of what the porn world is like as a novice. Tackling not only porn but the internet and the theme of the "girl next door" is endlessly alluring as how all these factors have contributed to changing the platform of the adult film industry in many ways since the birth of dial-up.
Films I Want to See:

Fresh Dressed (Director: Sacha Jenkins)


The history of hip-hop fashion from its birth in the South Bronx to its rise as a billion-dollar global industry, “Fresh Dressed” is supported by rich archival materials, in-depth interviews with individuals crucial to the evolution, and the outsiders who study and admire them.


The Hunting Ground (Dir. Kirby Dick) 


From the makers of “The Invisible War” comes a startling expose of rape crimes on U.S. campuses, their institutional cover-ups, and brutal social toll. Weaving together verite footage and first-person testimonies, the film follows survivors as they pursue their education and justice — despite harsh retaliation, harassment, and pushback.


The Mask You Live In (Dir. Jennifer Siebel Newsom)


Is there a “boy crisis” in America? Is our male population suffering due to our emphasis on power, dominance, and aggression? “The Mask You Live In” explores how our narrow definition of masculinity is harming our boys, men, and society at large and unveils what we can do about it.


Finders Keepers (Dir. Bryan Carberry & Clay Tweel)


Recovering addict and amputee John Wood finds himself in a stranger-than-fiction battle to reclaim his mummified leg from Southern entrepreneur Shannon Whisnant, who found it in a grill he bought at an auction and believes it to therefore be his rightful property.

The Wolfpack (Dir. Crystal Moselle)

Six bright teenage brothers have spent their entire lives locked away from society in a Manhattan housing project. All they know of the outside is gleaned from the movies they watch obsessively (and recreate meticulously). Yet as adolescence looms, they dream of escape, ever more urgently, into the beckoning world.

Lila & Eve (Dir. Charles Stone III)

Lila, a grief-stricken mother reeling from her son’s murder, attends a support group where she meets Eve, who urges her to take matters into her own hands to track down her son’s killers. They soon embark on a journey of revenge, but also recovery. Cast: Viola Davis, Jennifer Lopez, Shea Whigham, Julius Tennon, Ron Caldwell, Aml Ameen.

Mistress America (Dir. Noah Baumbach) 

Tracy, a lonely college freshman in New York, is rescued from her solitude by her soon-to-be stepsister Brooke, an adventurous gal about town who entangles her in alluringly mad schemes. Mistress America is a comedy about dream-chasing, score-settling, makeshift families, and cat-stealing. Cast: Greta Gerwig, Lola Kirke.

(Synopsis via Indiewire)
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I guarantee you that once I tell you the premise of Caterpillar, you will just roll your eyes and claim it as another cruel Japanese film that probably has Takashi Miike's sick, twisted, and violent humor written all over it. Caterpillar is about a wife (Shinobu Terajima) who finds her husband (Keigo Kasuya) returning from the Sino-Japanese war as a war hero but with a horribly mutilated body in which he is reduced to a torso with no limbs, deaf and mute, and burns covering half of his face. Sounds like another crude Miike film am I right? Contrary to what you might expect from the synopsis, Caterpillar is a tense critique of Japanese nationalism, militarism, and male dominance told through a domestic melodrama between a husband and wife in the dreadful World War II era.

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Naturally, only a pervert like me would choose to watch a movie called Vibrator. I must admit, most people would only decide to watch this film for it’s attractive title in hopes of possibly seeing some female action. But surprisingly, Vibrator (2003) is one of the most endearing films about the exploration of female sexuality and self-discovery I've seen in recent memory. The film opens with Rei (Shinobu Terjima), a lonely 30-something freelance writer who is shopping at a convenient store when her train of life contemplating thoughts gets halted when she locks eyes with Takatoshi, a truck driver (Nao Omori) with sun-kissed blonde hair. Together they embark on a journey of her sexual self-discovery and human relationships. Based on the novel by Mari Akasaka of the same name, Ryuichi Hirokim, a pink filmmaker, directs this critically acclaimed road movie about two stranger with dark pasts who bond for the moment. 

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Hirokazu Koreeda has once again masterfully constructed another family drama but this time, centered around two brothers who are separated by their parents disintegrating marriage in I Wish. The film is about the powerful notion of family unity as well as the inevitable deterioration and the painful yet calming freedom that comes from it. The original title is Kiseki ("Miracle") and it is a miracle the two brothers, Koichi and Ryu, played by real-life brothers Koki and Ohshiro Maeda wishes for in order to reunite their family. The parents part ways leaving the mom, Nozomi (Nene Ohtsuka) to return to living with her parents with Koichi in her hometown of Kagoshima in which an silent volcano is at the possible cusps of eruption. Meanwhile the father, Kenji stays in Osaka with Ryu to pursue his laid-lack lifestyle of trying to maintain day jobs while attempting to be a guitarist in a band. 

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I'm just going to say it, I am not well-versed in Japanese cinema at all. So, it is a sad statement to confess that before this year, I had no idea who Hirokazu Koreeda was. But that's all about to change because starting now, I am going on a strict diet of Koreeda films. Like Father, Like Son is a familial drama which won the Jury Prize at Cannes this year and is being remade by Steven Spielberg (dammit!). The film is about a family who is told that their son is not actually their son and that the hospital gave them the wrong child (worst nightmare!). 

I'm not going to lie, with the intensely emotionally complex story and swaying music in the trailer, I almost burst into tears (what's new). I'll be sure to not wear any make-up while watching this film because surely, there's going to be some waterworks. This trailer is a UK trailer of the film and will hit UK theaters on October 18. As for the US, the film will be released early next year in January! I can't wait!

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(1990, Akira Kurosawa)

Grade: A+
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 (2004, Wong Kar-wai)

Grade: A-
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Happy Together (1997, Wong Kar-wai)

Ho Po-wing: Do you regret being with me?
Lai Yiu-fai: Damn right I do! I had no regrets until I met you. Now my regrets could kill me. 
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( I basically repeat myself so either watch or read my post, or both!)

Let me just say this, I'm not a huge horror film watcher. I don't even like watching those parody films like Scary Movie (2000). But when I do, I watch it for the sake of knowing the roots of horror films and to witness it's developments in the genre. Although the sheer sound of windows cracking can make my bones jump out of my body and my judgement of the genre is probably not trustworthy, I've selected five films that truly gave me the worst nightmares and possibly the runs (tmi) just in time for the Halloween season. I'm not talking about classic horror films like Alfred Hitchcock's Psycho (1960) and William Friedkin's The Exorcist (1973) and these films aren't even on the list of top 50 scariest horror films. So how can you trust my judgement? I guess you can't but I assure you that any films that makes me want to pull my eyes out, stab a knife into my stomach, and generally crap on myself, is a film worth seeing. In no specific order, these films are some of scariest films (mostly foreign) I've seen in my life.

1. Don't Look Now (1973)


A married couple grieving the recent death of their daughter is in Venice when they encounter two elderly sisters, one of whom is psychic and brings a warning from the beyond. I watched Don't Look Now in my film class and I don't know if it was such an appropriate place to watch as I wanted to hurl myself towards the projection machine to stop the film from continuing. This particular horror film is rooted in realism that shows the aftermath of a couple's struggle when their daughter dies in a horrible way. The film entails one of the most passion sex scenes I've ever seen that conveys their emotional connection and disconnection from each other and the world. The true horror comes in the very last minutes of the film, that made me convulse with pure terror. You will never see the color red the same way ever again. 

2. The Descent (2005)


My friend Farah suggested that everyone watch The Descent so I thought I would give it a try. A group of girlfriends go on a caving expedition that goes horribly wrong when the explorers become trapped and discover theres no way out. Neil Marshall's business partner realized that there hasn't been any horror film with an all female cast. Defying conventions, casting females gave an extra punch of vulnerability to the characters and of course, drama. I wonder if they villainized Juno because she was an American and part Asian? I wonder if she had an affair with Sarah's husband? Whatever the answer, there are certain questions that went unexplained. But with this much knit tight build up, who cares about the character development! Save your lives! I had absolutely no expectations for the film and kept thinking of another film when I heard The Descent. Have no expectations when you see it and this ride will be a hell of a lot more fun. Apparently when it was released in the US they cut out a minute from the end because the American market favors a more hopeful ending. But if you see it, watch the English cut. So much better. 

3. Audition (1999)


When I think of the master of Asian horror film, no other than Takashi Miike comes to mind. Before pushing the boundaries of horror even further in Ichi the Killer (2000), with Audition, he took a more realistic approach. A widower takes an ffer to auditon girls in order for him to find a new wife. Be emotionally prepared to see this film. I don't expect anything less than a psychologically, bloody, fucked up stories from Miike. The already twisted film took another unexpected turn down its warped hole when the audience is confronted with a sack. When you realized what the contents of the sack is, you'll wish your mommy was there to hold you. This is by far one of the most mentally warped film I've ever laid my eyes on. 

4. Trouble Everyday (2001)


I have no idea how I came to watch it but at times, I regret that I did, every day. Trouble Everyday got a baffling 44% on Rotten Tomatoes but I still think it's valid horror film to witness. It is a horror tale that juggles sex and blood creating an quite an appetite for these two key things in the characters of the film. Vincent Gallo fits perfectly into this poetically maddening world. Without explanation, the film unfolds expressively and after gathering clue by clue that you fully understand what the hell is going on minutes from the end.  this film doesn't follow horror film convention and is more art-house, it gives the fresh look to the genre. If anyone else watches this film, please tell me what you thought so I don't feel completely insane for being scared.



A Tale of Two Sisters is based on an old Korean Folk Story which has been adapted many times by the Korean media but it wasn't until Kim Jee-Woon's 2003 attempt that truly gave it's native people an adaptation worth watching and praising. After the death of their mother, two sisters move back into their homes to face their evil step-mother and a supernatural being. This is essentially a ghost story. But unlike most ghost films out there, it is not the ghost that gives the audience the biggest scare but the eerie atmosphere that pumps the suspense to an all time high. Kim directs this psychological thriller which the upmost style: every angle, every piece of furniture, every setting is a cinematographer's wet dream. I was shielding my eyes half the film and I was still scared out of my mind. Less is really more. The lack of dialogue and the imagery of things within the tainted house drove my insanity and imagination swirling down to the darkest place in my mind. After withstanding the unbearable suspense, the pay off it undeniably rewarding. There was an American remake of A Tale of Two Sisters called The Uninvited (2009). But it's obvious that the film is a piece of crap. 

So those of my top 5 horror films. After compiling my list, it became evident that all these films were about females with a dark past. 3/5 films on this list deals with characters losing a loved one or having been through horrible circumstances. Since the beginning of the Horror film genre, the victimization of women have consistently been the focus of these stories. I don't know if it's a good thing or not. Is the torment of women more entertaining or is the complex and emotional aspect of women give insight to a more engaging horror?  Something to definitely contemplate.  Whether you watch these films on Halloween or not, please share any other horror films that you think is underrated. 
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