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Showing posts with label Badass Femmes. Show all posts
Showing posts with label Badass Femmes. Show all posts
Badass Femmes is a bi-weekly column that I write on Crome Yellow about all the Badass Females in pop culture that has shaped my life.

This month I was drawn to women who earned their badass status through hard-working, intensely focused work ethic. Legally Blonde’s Elle Woods was an apt first choice, but to follow her up, I selected a very different kind of woman, one who literally dances on the darker side and pushes the boundaries of what’s humanly possible. That woman is Nina Sayers from Darren Aronofsky’s Black Swan. As the flip side of Elle Woods, Nina finds herself consumed by her goal and will stop at nothing (to her detriment) to succeed. Bringing Nina to life, Natalie Portman’s bone-chillingly nuanced performance is the embodiment of what happens when you let your passion bring out the worst in you. Channeling her fragility into strength, Nina’s intense goals threaten to ruin who she is, and it’s this struggle that the character illuminates so well.

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Badass Femmes is a bi-weekly column that I write on Crome Yellow about all the Badass Females in pop culture that has shaped my life.

We’ve all been there, overcome and desperately in need of that bright light of inspiration. I, for one, tend to look towards the women around me to find motivation, but also keep coming back to one of the first characters that encouraged me to embrace who I was. Surprisingly enough, that character was Elle Woods from Legally Blonde. Even though I was an angsty 13-year-old, like Elle, I too was labeled a supreme ditz with a disgustingly peppy attitude, a “blonde” who was not actually blonde. Sure, I wasn’t sporting her sparkly pink wardrobe, but her determination to be seen beyond a socially embedded stereotype ignited a power within me to basically embrace the “fuck the rest and do me” mantra. At such a young age where the odds seemed against us both, she was the light in my dark, long tunnel, proving once and for all, that women could have it all – brains and beauty. If Elle Woods could do it, then so could I.

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Badass Femmes is a bi-weekly column that I write on Crome Yellow about all the Badass Females in pop culture that has shaped my life.

As a woman in a male dominated world, it’s easy to feel helpless and preyed upon, having most of our opinions sidelined and our bodies served as eye candy. Needless to say, it’s an idea our media is happy to uphold, and one that Tim Burton’s iconic Batman Returns brings to light so well through Selina Kyle. Played by Michelle Pfeiffer, Kyle is the epitome of a working class woman, combating patriarchy and sexual harassment on the daily. It’s only when she hits rock bottom that she transforms into the resilient and powerful Catwoman, awakening a side of herself she never knew existed. Reborn as the lethal femme fatale, she fights against the very system that made her who she is – it’s a poignant, tragic transformation, one that’s too important to ignore

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Badass Femmes is a bi-weekly column that I write on Crome Yellow about all the Badass Females in pop culture that has shaped my life.

Nowadays, there aren’t enough films about female friendships – at least not the ones that represent real women, hustling through life, singular interactions intact. This is why I keep coming back to F. Gary Gray’s iconic film, Set It Off, starring the some of the most prestigious black women of our time – Vivica A. Fox as Frankie, Jada Pinkett as Stony (before she was a Smith), Queen Latifah as Cleo and Kimberly Elise as Tisean. In truth, I could’ve written an entire Badass Femmes focused on Pinkett’s beautiful and resilient Stony, but these women individually are even more special as a whole. It’s who they are with and without each other that drives the film’s story. The results are an immaculately fleshed out and emotionally resonating film, showcasing the daily hustle of the working woman when faced with brutally real moments of economic crisis. These ladies represent the many real-life women out there who fearlessly make hard decisions when their backs are against the wall, reflecting a harsh reality that rings true today more than ever.

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Badass Femmes is a bi-weekly column that I write on Crome Yellow about all the Badass Females in pop culture that has shaped my life.

Raze doesn’t mess around, namely because it showcases a woman’s greatest fear (dying at the behest of a man), and strips its female characters of their freedom, showing who they are at their most feral, primal and unhinged. The premise of Raze is simple, exhibiting women who are survivors first and foremost, thrown into a ring and forced to fight their fellow female in a fight to the death – and all for entertainment. It’s the ultimate betrayal of each characters’ identity and worth, but also a celebration of women and sisterhood, as our heroines rise above their shitty circumstances to beat the system in the ultimate act of perseverance and sacrifice.

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Badass Femmes is a bi-weekly column that I write on Crome Yellow about all the Badass Females in pop culture that has shaped my life.

Like most girls growing up in the 90s, I was fed a steady diet of witchery thanks to Sabrina the Teenage Witch,Charmed and of course everyone’s favorite gothic guilty pleasure, The Craft. My interests eventually changed and a fascination with having powers shifted my attention to the Harry Potter series. Then last year, my love of the dark arts was revived by the coven of witches in Witching & Bitching, a Spanish film following a group of desperate thieves-on-the-run who stumble into the home of some ancient sorceresses. Witching & Bitching has everything you want in a maddening Halloween film, a man dressed up as a machine gun wielding Jesus, growling witches on the hunt for men’s blood and a grotesque gargantuan woman thrice the size of Bigfoot ready to squash her opposition. There isn’t a single thing in this film that isn’t outright bat-shit crazy, but the real MVPs are the witches, or to put it more accurately, cannibalistic witches?!

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Badass Femmes is a bi-weekly column that I write on Crome Yellow about all the Badass Females in pop culture that has shaped my life.

Cheerleaders and football jocks have always been at the top of high school hierarchy, so it’s no wonder why us outcasts always had a love and hate relationship with them. But truth be told, my spunky and spirited 15-year-old self almost became a cheerleader before the inevitable wave of teen angst washed over me. Cheerleaders just had cutest outfits, got all the boys and I just thought my spastic nature would fit right in. Naturally, I had to see the holy grail of cheerleading films, Bring It Onand found plenty to love. As much as I adored Kirsten Dunst as the now iconic Torrance, it was the Clovers that stuck with me because of their no-bullshit, fearless attitude. Despite their economic and sociological background, they had the will to work hard, dream big and come out on top.
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Badass Femmes is a bi-weekly column that I write on Crome Yellow about all the Badass Females in pop culture that has shaped my life.

Thanks to her youthful roles in Beetlejuice, Edward Scissorhands, Reality Bites and of course, Heathers, Winona Ryder, our Princess of Darkness, will always have fans (and I) using the hashtag #Wino4Evaz on a daily basis. Out of all her films though, Heathers is the most sinister and darkest of all her younger years. As Veronica, Ryder was the fairest of them all, a sharp contrast to her shallow and soul-sucking companions – her angsty and aloof personality epitomized teen behavior in all of its cynical and nihilistic glory! To this day, the character is one that sticks out for standing her ground in a counter culture battle against the very people she once called her best friends. Though times have changed, high school remains a vicious battleground, and to make it out alive, you gotta play the game like Veronica did. Of course she saved the day by killing her ex-boyfriend and knocking her former besties off their throne, but that’s just high school drama to the next level y’all.
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Badass Femmes is a bi-weekly column that I write on Crome Yellow about all the Badass Females in pop culture that has shaped my life.

Girls are constantly being told that they can’t do what boys can, simply because…. biology. Alright, we get it! Now, shut up! I understand that we are physically not built the same way. But while we sometimes might not be able to carry something really heavy or open an insanely air-tight mason jar, it doesn’t mean we don’t have anything to offer. This is why it’s so obviously infuriating to tell a woman, a person who can bring life into this world, that they can’t do and don’t have the same power as men. This idea is one of the central themes in Karyn Kusama’s breakthrough debut, Girlfight, starring then fresh-faced newcomer Michelle Rodriguez as Diana Guzman. As the role that catapulted the now, Fast & Furious star to fame, the role of her lifetime gave us an unapologetically fierce and downright in-your-face Diana, a woman who fights (literally) against gender discrimination both in her private and public life.
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Badass Femmes is a bi-weekly column that I write on Crome Yellow about all the Badass Females in pop culture that has shaped my life. 

Contrary to popular belief, it’s hard being in any minority group in America. Being a woman is hard enough, but imagine being a black and queer as well – you can just imagine the sorts of challenges you might run into on a daily basis. Rarely have I seen that perspective painted as vibrantly as it is than in Alike (Adepero Oduye), the central character of Dee Rees’ semi auto-biographical first narrative feature, Pariah. The film is a gorgeously shot one, which takes us through this woman’s first loves, friendship, family and heartbreak, pulsating with authenticity and heart. Oduye as Alike gives us a nuanced, complex performance that resonates through every scene. As she reclaims her identity and sexuality amidst the vicious prejudice of her own family, we get to know a girl takes charge of her life and realizes that only she can make the choices that will make her happy.


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Badass Femmes is a bi-weekly column that I write on Crome Yellow about all the Badass Females in pop culture that has shaped my life.

Lesbians in film usually fall into common stereotypes feeding male fantasy. There are rarely any on-screen depictions with women naturally drawn to the same gender and not merely “experimenting.” I’d always wondered if going to college was suddenly going to awaken my desire to fall into this same stereotype, and how genuine it would be. To me, sexual preference never seemed like a concrete decision but more like fluctuating wave, something to be reevaluated as life’s ebb and flow took over. But I’m A Cheerleader’s Megan however, played by Natasha Lyonne, breaks the mold in queer representation, being a refreshing example of a teenage girl unconsciously attracted to women without knowing it. She’s also a girl who does what she wants and sticks to her guns.



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Badass Femmes is a bi-weekly column that I write on Crome Yellow about all the Badass Females in pop culture that has shaped my life.

I was lucky enough to have grown up in Los Angeles’ K-town, a city where Asians were one of the most dominant races. Eventually moving to the suburb of Torrance, I enjoyed the same type of cultural balance, a city filled with either white or Asian people. But despite being amongst flourishing Asian cultures, I still had my own run-ins with casual or unconscious racism, stemming from ethnicities who clearly had no knowledge of the political incorrectness that plagued such a so-called “diverse” environment. Though it was unbearable at times, I couldn’t help but imagine what it would be like if I were the ONLY Asian girl in small town just like Stars Hollow, from the TV show, Gilmore Girls. It was a perspective that actress Keiko Agena brought so well to her character, Lane Kim, who played the titular Rory Gilmore’s best friend. Agena’s Kim would become a powerful representation of an all Korean-American girl living in the states; and despite the fact we were in polar opposite environments, Lane was the epitome of that archetypal bi-cultural lifestyle that so many of us second generation kids have lived and breathed.

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Badass Femmes is a bi-weekly column that I write on Crome Yellow about all the Badass Females in pop culture that has shaped my life.

As an asian girl growing up in the early 2000’s, I was fortunate enough to see the start of Asian American culture represented in popular media; naturally, I gravitated towards women like Lucy Liu and Margaret Cho. Since I didn’t discover Cho till much later, Liu was the first Asian woman that caught my attention on screen as Alex Munday in McG’s Charlie’s Angels. As an iconic group of female spies, Charlie’s Angels were monumental figures within pop culture and it was radical to see a Chinese American woman take over a predominately white role. Alex’s character defies all standards and expectations, mildly rooted in stereotypes but ultimately pioneering the face of a growing Asian American community that was famished to see representation.

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Badass Femmes is a bi-weekly column that I write on Crome Yellow about all the Badass Females in pop culture that has shaped my life.

Looking back at the most iconic high school teen flicks, the one quality that shines the most is the idea of dedication and loyalty. In high school, my best friend and I would pig out on Hot Cheetos, watch Romy and Michele and banter about the day we would attend our high school reunion to show up all the shitty kids that tormented us. We were a iconic duo and she was the Michele to my Romy. As a pair, Romy and Michele were the perfect reflection of our intensely strong bond to each other, a powerful reminder that friendships outlast high school and get us through the most awkward times of our lives.

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Badass Femmes is a bi-weekly column that I write on Crome Yellow about all the Badass Females in pop culture that has shaped my life.


Cat-calling, being forced to smile or unwanted advances are just a few of the unavoidable, shitty things that happen to women on a daily basis. Some might argue a few of these as flattering, but in the eyes of a woman, most are the unwanted perks of living in an overwhelmingly sexist environment. In times like these, I ask myself, “What Would Lisbeth Salander Do (WWLSD)? As one of the most influential and powerful female characters in pop culture (at least in my eyes), the Swedish Millennium Series’ Lisbeth defies all conventions in societal beauty, behavior and status quo when it comes to being a woman. When I first watched the The Girl with the Dragon Tattoo, I was enamored by her uncompromising attitude towards a world that offered her no favors. Through her sharp temperament and cool demeanor, Lisbeth is a Badass Femme that urges women and men all over the world to never hide who they are to themselves and others, a survivor in every definition of the term.

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Badass Femmes is a bi-weekly column that I write on Crome Yellow about all the Badass Females in pop culture that has shaped my life.

2014 was a great year for women in film, from female directed films like The Babadook and The Midnight Swim, to female-centric stories such as Mommy, Two Days, One Night and more. You could say that this was the year of the badass femme; but nobody stood out more than the unearthly woman in Jonathan Glazer’s haunting Under the Skin. Named only as The Female, Scarlett Johansson went above and beyond as an out-of-this-world alien whose dead-pan stare and endearing smile was able to lure men to their impending doom. Although the true gender (if that even applies) of the alien is arguable, the character resonates as the year’s best dissection of what it is to be a woman first and foremost, and a human being on an even deeper level.

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Badass Femmes is a bi-weekly column that I write on Crome Yellow about all the Badass Females in pop culture that has shaped my life.

When I first watched Lynne Ramsay’s unnerving We Need to Talk about Kevin, it was merely a week after the horrific 2012 Aurora theater shooting. You can imagine my shock when the real life event crossed over into the terrible events of the film, which features a mother coping with a terrible school massacre committed by her son. Fast-forward to present day where I’m in my mid-twenties and all of my peers seem to be getting married or having babies. With the myriad of films about marriage and children this year (Gone Girl, Force Majeure, The Babadook to name a few), it seems as though the idea of marriage and motherhood is feverishly taunting me, knowing that I’m nowhere near that point in my life. With that in mind, I decided to revisit We Need to Talk about Kevin, because of it’s exploration of nature vs. nurture and the “shocking” notion that not every woman may have the maternal gene that society likes to project.

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Badass Femmes is a bi-weekly column that I write on Crome Yellow about all the Badass Females in pop culture that has shaped my life.


The Harry Potter series is easily THE go-to franchise billions of fans, leading Harry’s fantastic wizarding world to become more of a mantra and lifestyle for different kinds of people across the globe. It’s a lot to tackle, spanning multiple forms of media, from novels, films, theme parks and even tons of fan-generated content – just look at the numerous youtube videos for proof! One thing is clear though, Hermione Granger was and is always a standout. Like so many other kids, I followed her example and as she showed us that we could all reach our full potential, intellectually and emotionally with blazing confidence and wit.

Truth be told, I wasn’t one of the millions of kids who would stay up all night burning through every new Harry Potter book; I waited for the films. But when I did start the books, I was intrigued by Hermione’s resilience and tenacity to constantly level up or surpass her companion’s abilities despite harsh criticism of doubt, especially the despicable Malfoy. When the books finally trekked their way to America, I was a teeny nine-year-old who considered herself more street smart than book smart. Even with my terse palette however, J.K. Rowling’s written words were feverishly addictive, introducing a female heroine for the ages.
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Badass Femmes is a bi-weekly column that I write on Crome Yellow about all the Badass Females in pop culture that has shaped my life.

For those people who don't know this about me, I'm not a horror film fanatic. Since I'm not well versed in the genre, it's my mission in life to constantly broaden my horizon, whether it's discovering new films at Beyond Fest or somehow finding them on my own. Luckily, I have the expertise of your very own Sal from Crome Yellow to help me. And it was about this time last year when I finally had the nerve to watch a film highly regarded as one of the most horrifying experiences ever, Pascal Laugier's Martyrs. I went in with a gist of what to expect but when I crawled out, it was like I was stripped of my whole existence--reborn, bare, broken and transformed into a person I didn't recognize. that might seem like an exaggeration but those who have witnessed and experienced this singular film will know exactly what I'm talking about. Because like Anna in the story, we become martyrs simply by surviving the film. 

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Badass Femmes is a bi-weekly column that I write on Crome Yellow about all the Badass Females in pop culture that has shaped my life.

I don’t know about you, but before Twilight’s vampire craze, I already had a soft spot for those blood-sucking creatures of the night. I mean who wouldn’t? Most people have an affinity for youth and immortality anyways, and although these qualities are top-notch attributes to have, avoiding sunlight and basking in the beauty of the night is a gothic delight too good to pass up. One night I was over my friend Andrew’s place having what already had been a very lanky movie marathon, when it was recommended that we see the acclaimed Swedish film Let the Right One In, a film that ironically almost snuck away and disappeared in the night.

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