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Showing posts with label Karyn Kusama. Show all posts
Showing posts with label Karyn Kusama. Show all posts

Another year, another list. But unlike most years, 2016 was one for the books and I truly thought my top 10 films of 2016 should encompass the realistic world in which we live. So the films that I picked are not only made by visionaries but are ones that show the beauty of humanity and those that remind us the most important aspects of life. Whether they are stories of people with vastly different background, opinions and experiences, we get a sneak peek into their world and into their shoes. And above all, I found comfort in other people's stories as they took me on an exhilarating ride from the heavens to hell, made me face my fears and even made me laugh to bring light to this crazy place called life.  So here we go!



Top 10


American Honey (Dir. Andrea Arnold)

Andrea Arnold is one of my favorite filmmakers because her films portray life in all its beautiful chaos accompanied by raw intimacy and electrifying performances. In American Honey, not only does it focus on a coming-of-age story of a free-spirited woman trying to achieve her own “American Dream” but it also shows a daring portrait of the socioeconomic landscape of America while focusing on the most underrepresented citizens. American Honey’s gritty reflection of America is uncompromising, relevant and a hopeful place as ever. // Full Review


Green Room (Dir. Jeremy Saulnier)

I can’t think of another film to come out in 2016 that reflects America’s political division amongst its citizens more accurately than in Jeremy Saulnier’s Green Room. At the end of the day whether one is a punk rocker or a neo-nazi, Saulnier presents the vicious cycle of vengeance like a master covering all sides of the spectrum whether his characters are on the right or wrong side of the situation. Thinking that this is Anton Yelchin’s last film, the film shares an important lesson of fighting for what you believe in at all cost. Green Room is grounded in realism and it is powerful in its execution and style that makes it an unforgettable and scathing ride. // Film Review


Spa Night (Dir. Andrew Ahn)

Andrew Ahn perfectly captures a specific corner of the Korean-American experience set in Koreatown, Los Angeles, with his directorial debut, Spa Night. Watching Spa Night as a Korean-American, the film hit too close to home because my problems never felt more validated until I saw it on the big screen. I saw myself in David played by Joe Seo who delivers a powerfully restrained performance, who feels the burden of exploring oneself while trying to abide to familial obligations. Ahn’s acute direction  is finely tuned and hones on the specificity of the never before seen culture and stories of second-gen Asian Americans and that we desperately so need. // Trailer


The Fits (Dir. Anna Rose Holmer)

Anne Rose Holmer’s stellar debut film, The Fits, is an emotionally visceral, visually stunning and haunting meditation on the anxieties of adolescence. Newcomer Royalty Hightower is mesmerizing to watch, transforming Toni from tomboy to dancer, all while battling with her own complexities with identity and gender through assimilation. With Holmer’s singular vision, DP Paul Yee’s dreamy shots, and the intoxicating soundtrack, The Fits is an ethereal and spellbinding experience that viewers deserve and rarely see in cinema today. // Trailer


The Nice Guys (Dir. Shane Black) 

If anyone could make a thrilling and super-charged buddy cop comedy, it’s Lethal Weapon’s Shane Black with The Nice Guys. You have never seen either Ryan Gosling and Russell Crowe quite like this who deliver terrific performances especially Gosling who makes a hilarious turn as an inept alcoholic detective. With hysterical one-line zingers, slapstick comedy and the terrific chemistry between Gosling, Crowe and newcomer, Angourie Rice, The Nice Guys is a sidesplittingly hilarious and refreshing neo-noir film you cannot miss!


The Wailing (Dir. Na Hong-jin)

There has been many groundbreaking Korean films to come out this year from Train to Busan to The Handmaiden but there has been one film that leaves the rest in the dust and that’s Na Hong-Jin's The Wailing. Na toys with our mind and turns the dial to a feverish 1000% in this occult murder mystery which expertly blends various horror genres including the supernatural, zombies, and possessions to say the least. The Wailing doesn't present a clear cut answer and it's not suppose to. It's the hellish descent into madness with a philosophical undertone that truly makes this film, one that will terrorize you many nights to come. // Favorites


Moonlight (Dir. Barry Jenkins) 

Once every few years, we get a film that is overwhelmingly stunning in its singular vision and originality that we wonder what did we ever do to receive such a gift? Barry Jenkins’ Moonlight is that film and it’s easily one of the best films of the decade. The film’s poetic portrait tackles themes of identity, toxic masculinity, and isolation, which bursts with sensitivity and shows blackness in all its painstaking beauty. It’s exploration of the complexities of black homosexuality within the community and family has never quite been shown on screen till now and that’s something to laud about. // Trailer


The Invitation (Dir. Karyn Kusama) 

You already know a dinner party with your ex and her new lover isn’t going to go well. Karyn Kusama’s The Invitation amps up this “dinner party from hell” story with themes of grief and isolation to deliver a chilling story that you won’t forget. She crafts a suffocatingly tense psychological thriller with razor-sharp precision and  artistry. The Invitation is her most masterful and finest work yet. // Full Review


Toni Erdmann (Dir. Maren Ade)

There has never been a film like Toni Erdmann. It’s hard to begin to explain the brilliance of the film because the whole film is an accumulation of “You Just Had To Be There” moments. Maren Ade’s father-daughter story provides some of the most iconic scenes in recent cinema that will have you simultaneously tearing up from ROFLing till you choke and sobbing your heart out. It’s a film that is as outrageously silly as it is profoundly moving and makes us question the important aspects of life like human connection and humor. It's a rollercoaster of a film that you must experience to understand why Toni Erdmann is one of the greatest films of 2016.


Arrival (Dir. Denis Villeneuve) 

Based on the 1998 short story, "Story of Your Life by Ted Chiang, Denis Villeneuve does the impossible and creates the most artistically intelligent Hollywood film. Accompanied by a booming score by Johan Johannson, Villeneuve crafts this ultra smart story that dares to ask big questions about life and actually answers them with nuance and meticulousness. Profoundly intimate and epic, Arrival is what Interstellar tried to be and failed. It’s hard to believe that a film like this was even made, but it’s one that came at a time to remind us that we need to stand united now more than ever, with empathy and understanding, no matter how alien and fearful our world may be.


Runner-ups:

Honorable Mentions:
Hunt for Wilderpeople
Evolution
Train to Busan
Rogue One
Embrace of the Serpent
Zootopia
The Junglebook
Star Trek Beyond
10 Cloverfield Lane
The Witch
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There's nothing more exciting than hearing the words "All-Female Directed Horror Anthology". As much as some of the best horror films have been directed by men, the truly horrifying stories seem to come from female perspectives (The Babadook, Goodnight Mommy). So you can imagine my trauma after watching the latest trailer for the all-female directed horror anthology film, XX.



Four deadly tales from four killer directors consisting of Karyn Kusama (The Invitation), Annie Clark aka St. Vincent who makes her directorial debut, Roxanne Benjamin (Southbound), and Jovanka Vuckovic (The Captured Bird) in addition to award-winning animator, Sofia Carrillo (La Casa Triste) help weave the stories all together to create one ultra suspenseful tale of terror! Also, I'm loving the poster design! The film premieres at Sundance Film Festival on January 22th before slaying the rest of us all when it hits theaters and VOD on February 17th.

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Year: 2016
Director: Karyn Kusama
Writer: Phil Hay, Matt Manfredi
Cinematographer: Bobby Shore
Cast: Logan Marshall-Green, Emayatzy Corinealdi, John Carroll Lynch, Michiel Huisman, Tammy Blanchard
Country of Origin: USA
Time: 100 min.


Crome Yellow and I went to Beyond Fest and one of our favorite films was Karyn Kusama's The Invitation! While attending a dinner party and his former home, Will (Marshall-Green) thinks his ex-wife Eden (Blanchard) and her new husband (Huisman) have other sinister intentions for him and the guests. I have been a huge fan of Kusama's earlier works like Girlfight and Jennifer's Body but The Invitation is by far her most masterful work yet! She crafts this suffocatingly tense thriller with such precision and  artistry, the results will make you completely rethink dinner parties for good! Drafthouse Films is releasing the film next April which cannot come soon enough! 



This post was originally posted 12/9/15
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OMG yes! The first full trailer of Karyn Kusama's latest film, The Invitation, is finally here and I can't wait for everyone to see this film! We got to see a glimpse of impending insanity within the film in the teaser a month ago but now, we get to see what the hell is actually going on in this film, at least a little more. When Will (Logan Marshall-Green) gets invited to his ex-wife's Eden and her new boo, David's dinner party, he suspects that they have set up a sinister plan for him and the guests. I don't think I'll ever see a Hollywood dinner party the same ever again.



I was fortunate enough to watch this film at last year's Beyond Fest and I was completely blown away. I have always loved Karyn Kusama since Girlfight (Badass Femme Certified!), but The Invitation has got to be her most sophisticated and refined piece of work to date! Crome Yellow and I gush about our love for this film in our full review (See review) and I don't think we're still over it! Accompanied by suffocating tension and gripping paranoia, The Invitation is a exquisite and well-crafted showcase about loss and grief. Drafthouse Films is releasing the film on April 8th so don't forget to RSVP to this party from hell! This is not only going to be one of the best films of this year but one dinner party you surely won't forget. 

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My fervent love and passion for females is a public known fact. I have already said many times that my love for women is so fiery at times that people question if I am queer and I'm totally ok with that! #PussyPower. There are so many films that I absolutely adore directed by women but here I am going to list the films that have inspired and fueled my own work particularly because the 15-day celebration of Directed by Women starts today September 1st to the 15th! The films I am consistently always drawn to are films that tackle themes of identity, sexuality, and friendship. Obviously, some of the films listed below don't fall into these guidelines but are present simply because these films possess vitally important messages and the filmmakers are simply a Badass Femme in her own right! So without further ado, here are my 10 favorite films directed by women! (tbh, no explanation needed! Trust me)

Girlhood
(2014, CĂȘline Sciamma) 

Marieme joins an all-girl gang in the projects of Paris and is slowly turned out of her shell by her three sassy neighbors. As she falls further under their bravado and volatile energy, she begins making brave and foolish choices.

Fish Tank
(2009, Andrea Arnold)

Mia (Katie Jarvis) is a rebellious teenager on the verge of being kicked out of school. Her hard-partying mother, Joanne (Kierston Wareing), neglects Mia's welfare in favor of her own, and her younger sister (Rebecca Griffiths) hangs out with a much older crowd. Sparks fly between Mia and Connor (Michael Fassbender), Joanne's new boyfriend, and he encourages Mia to pursue her interest in dance. As the boundaries of the relationships become blurred, Mia and Joanne compete for Connor's affection.

A Girl Walks Home Alone at Night 
(2014, Ana Lily Amipour)

The first Iranian Vampire Western ever made, Ana Lily Amirpour's debut basks in the sheer pleasure of pulp. A joyful mash-up of genre, archetype, and iconography, its prolific influences span spaghetti westerns, graphic novels, horror films, and the Iranian New Wave.  (via. Kino)

Suburbia 
(1983, Penelope Spheeris)

After a suburban Los Angeles development is condemned, a band of rebellious young punk rockers makes the abandoned homes their own in this drama. The residents of the surrounding neighborhoods react by forming a vigilante group to drive the punks away, leading to a number of violent confrontations.

Pariah 
(Certified Badass Femme*)
(2011, Dee Rees)

Teenage Alike (Adepero Oduye) lives in Brooklyn's Fort Greene neighborhood with her parents (Charles Parnell, Kim Wayans) and younger sister (Sahra Mellesse). A lesbian, Alike quietly embraces her identity and is looking for her first lover, but she wonders how much she can truly confide in her family, especially with her parents' marriage already strained. When Alike's mother presses her to befriend a colleague's daughter (Aasha Davis), Alike finds the gal to be a pleasant companion.

Palo Alto
(2014, Gia Coppola)

Shy, sensitive April (Emma Roberts) is the class virgin -a popular soccer player and frequent babysitter for her single-dad coach, Mr. B. (James Franco). Teddy (Jack Kilmer) is an introspective artist whose best friend and sidekick Fred (Nat Wolff) is an unpredictable live wire with few filters or boundaries. While April negotiates a dangerous affair with Mr. B., and Teddy performs community service for a DUI - secretly carrying a torch for April, who may or may not share his affection. (Via. Tribeca)

Songs My Brothers Taught Me
(2015, Chloe Zhao)

Songs My Brothers Taught Me is a 2015 American drama film written and directed by ChloĂ© Zhao. It is Zhao's debut feature film. The film, set on the Pine Ridge Indian Reservation, explores the bond between a brother and his younger sister. 

Selma
(2014, Ava DuVernay)

Although the Civil Rights Act of 1964 legally desegregated the South, discrimination was still rampant in certain areas, making it very difficult for blacks to register to vote. In 1965, an Alabama city became the battleground in the fight for suffrage. Despite violent opposition, Dr. Martin Luther King Jr. (David Oyelowo) and his followers pressed forward on an epic march from Selma to Montgomery, and their efforts culminated in President Lyndon Johnson signing the Voting Rights Act of 1965.

Concussion 
(2013, Stacie Passon)

Written and directed by Stacie Passon in an auspicious directing debut effort, and produced by Rose Troche, CONCUSSION is a poignant sexual examination of Abby (Robin Weigert in a star making breakout turn), a forty something married wealthy, lesbian housewife who, after suffering a blow to the head from getting smacked by her son's baseball-walks around every corner of her suburban life to confront a mounting desire for something else. Her newfound desire though is not a take-home item, so Abby inaugurates a double life as a high end escort. Palpably sensual and deliciously contained, CONCUSSION is a keen observation of the complicated contours of midlife crisis. (via. Radius)

Girlfight
(Certified Badass Femme*)
(2000, Karyn Kusama)

Newcomer Michelle Rodriguez in an astounding performance alongside Jaime Tirelli, Paul Calderon and Santiago Douglas. Nothing comes easy for Diana Guzman, a troubled girl on the brink of womanhood. Her teachers don't understand her, her father underestimates her and her friends are few. Diana struggles to find respect and dignity every day. Diana is a quick tempered young woman who finds discipline, self-respect and love in the most unlikely place -- a boxing ring.


Other Favs:

The Punk Singer (2013, Sini Anderson)
Stories We Tell (2012, Sarah Polley)
The Crash Reel (2013, Lucy Walker)
Tank Girl (1995, Rachel Talalay)
We Need to Talk about Kevin (2011, Lynne Ramsay)
Fat Girl (2001, Catherine Breillat)
The Wolfpack (2015, Crystal Moselle)
Paris is Burning (1990, Jennie Livingston)
Point Break (1991, Kathryn Bigelow)
Thirteen (2003, Catherine Hardwicke)
Clueless (1995, Amy Heckerling)

Films I Have Yet to See but Probably Will Love <33:

Persepolis (2007, Marjane Satrapi & Vincent Paronnaud)
Take Care of My Cat (2001, Jeong Jae-eun)
Wadjda (2012, Haifaa al-Mansour)
Appropriate Behavior (2014, Desiree Akhavan)
I Will Follow (2010, Ava DuVernay)
Real Women Have Curves (2002, Patricia Cardoso)


Synopsis via. The Internet (duh)
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Badass Femmes is a bi-weekly column that I write on Crome Yellow about all the Badass Females in pop culture that has shaped my life.

Girls are constantly being told that they can’t do what boys can, simply because…. biology. Alright, we get it! Now, shut up! I understand that we are physically not built the same way. But while we sometimes might not be able to carry something really heavy or open an insanely air-tight mason jar, it doesn’t mean we don’t have anything to offer. This is why it’s so obviously infuriating to tell a woman, a person who can bring life into this world, that they can’t do and don’t have the same power as men. This idea is one of the central themes in Karyn Kusama’s breakthrough debut, Girlfight, starring then fresh-faced newcomer Michelle Rodriguez as Diana Guzman. As the role that catapulted the now, Fast & Furious star to fame, the role of her lifetime gave us an unapologetically fierce and downright in-your-face Diana, a woman who fights (literally) against gender discrimination both in her private and public life.
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