Year: 2015

Director: Denis Villeneuve

Writer: Taylor Sheridan

Cinematographer: Roger Deakins

Cast: Emily Blunt, Benicio Del Toro, Josh Brolin, Daniel Kaluuya, Jon Bernthal, Victor Garber

Country of Origin: USA

Rating: R

Time: 121 min.

As you all know, my love for Denis Villeneuve is boundless! I always have total faith with every one of his films that my mind will be totally obliterated after its viewing. Villeneuve's latest film, Sicario follows the story of an idealistic FBI agent, Kate, who is enlisted in a government task force to aid them in the raging drug war that is happening at the border of Mexico and the U.S. With a strong cast consisting of Emily Blunt, Josh Brolin, Benicio Del Toro, Daniel Kaluuya, Jon Bernthal and others, all play a powerful role in this complex and hazy game of the drug war that's a lot bigger than they initially thought.

Emily Blunt gives a nuanced performance that will surely get her an Oscar nod. The suffocating atmosphere permeates at a steady pace throughout the film to truly show the increasingly suffocating and helpless reality we are all living it. It's ruthless in content, immaculate in form, and sweltering bleakness in atmosphere. The music by Jôhann Jôhannson's adds another level of moody sinisterism that's just on the verge of devouring you. 

I did my Director Series of Denis Villeneuve a while back where I rank his films from best to the worst! (If that's even possible!) I came out of the theater just stunned at what I had just experienced. It wasn't what I had expected but immediately knew that after the numbness of my body faded and the full process of this film was felt that Sicario would be considered one of the best films of this year, if not the decade.

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Year: 2015

Director: Wes Ball

Writer: T.S. Nowlin (Screenplay) & James Dashner (Novel)

Cinematographer: Gyula Pados

Cast: Dylan O'Brien, Ki Hong Lee, Kaya Scodelario, Thomas Brodie-Sangster, Dexter Darden, Jacob Lofland, Rosa Salazar, Giancarlo Esposito, Patricia Clarkson

Country of Origin: USA

Rating: PG-13

Time: 132 min.

Arshad and I are back and this time we review the sequel to The Maze Runner (see review) called The Scorch Trials. The whole gang are still together and the maze was literally the beginning of their long-winded and dangerous escape from WICKED, the evil corporation behind the maze. While there were still some unanswered questions in The Scorch Trials like there were in the previous film, this film is undoubtedly a more action-packed and sensational film! The gang return with a few fresh faces that round the cast to a solid and diverse bundle of survivors. 

Under the hands of Ball, The Scorch Trials is a better sequel with palpable wall-to-wall action sequences, emotional character arcs, and picturesque cinematography that is swoon-worthy. Never have I felt so stressed watching another young adult post-apocalyptic film. The Maze Runner series is slowly becoming my favorite YA franchise right under the reigning champion, The Hunger Games. Let's just hope with the next film, The Death Cure, that they start to explain what the hell is going on with WICKED more in-depth. I was a little hesitant on the series where it just seems like all they are doing is runner away from the enemy, I am relieved and ecstatic to return to see what Ball has in store for us next! 

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Reed Morano's directorial debut feature Meadowland starring Olivia Wilde and Luke Wilson is about to make some major waves! Sarah (Wilde) and Phil's (Wilson) lives become unhinged after the hazy aftermath of an unspeakable loss. He starts lose sight of his moral as she is on the brink of an emotional and psychological breakdown. Needless to say, they are not handling it well. Wilde showcases her full talent in a fearlessly bold and raw bare bones kind of way that communicates the density and depth of her pain so vividly. The film also stars Giovanni Ribisi, Elisabeth Moss, Ty Simpkins, and John Leguizamo. 

Stories of loss always connect with me and Meadowland truly hits harder than any other film this year just by the intense trailer. Morano is the skilled Cinematographer behind films like Frozen River and The Skeleton Twins so naturally with her first film, she decided to shoot and direct it! That's no easy feat but she did it and the results looks absolutely heart-wrenching and gorgeously shot. The trailer offers just enough to make us really want to see the rest of this beautiful piece of work. Meadowland comes out October 16. 

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Holy crap! The Japanese godfather of extreme violence, absurdity, and all things badass, Takashi Miike (see: Audition, Ichi the Killer) is back with Yakuza Apolcalypse. If you didn't think he could bend genres and take his films to the next level, think again! There's flying vampires, ass-kicking frogs, and most importantly, yakuzas! The story follows Kageyama, a young yakuza who is ridiculed by his peers for not being able to get tattooed. His boss, the notorious and revered Kamiura is in reality, a vampire. After getting literally torn apart by rival gangs, Kamiura passes his powers to Kageyama, forcing him to get revenge on the syndicate. 

Miike is known for his controversial work and while it seems like many will be torn by the film, the unfathomable thought that a yakuza story could have a vampires, monsters, and other supernatural things, I am so down for! Yakuza Apocalypse premiered at Cannes Film Festival and eventually ran its film festival tour through TIFF and finally, it'll be at LA's largest and best genre festival, Beyond Fest! So naturally, I will be seeing it at its West Coast premiere this Friday and have my mind fully blown to smithereens! Let the fighting and blood-sucking commence!

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After I had watched Thom Andersen's Los Angeles Plays Itself last year, I hit up Tony Zhou of Every Frame a Painting on twitter saying how the film reminded me a lot of his work and that he should try to make a film (see here). He responded stating that although making a feature length film would probably drive him mad, he considered making a short video called Vancouver Never Plays Itself. Fast forward to present day and ladies and gentlemen, he has made the video and it's finally here!

Contrary to Andersen's film, Zhou goes on to talk about how in film, Vancouver is almost never represented as itself but often disguised as other cities. With acute observation and witty narration, Zhou continues to enlighten and education cinephiles across the globe in ways that film school has never been able to! Needless to say, I'm glad I gave Zhou the little push he needed to finish this video that was already in the making. Vancouver Never Plays Itself has got to be one of my favorite videos of his as it is not only insightful but poignant and powerful to see in the frame of his own personal connection to his hometown of Vancouver! Be sure to continue supporting Tony and all his fantastic work! Go Tony!

Follow Tony Zhou

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Year: 2015

Director: Asif Kapadia

Country of Origin: UK // USA

Rating: R

Time: 128 min.

Naturally, one of the best documentary of the year called Amy, comes from the team that brought us the acclaimed documentary, Senna. This time, they tackle the rise and fall of the singer-songwriter Amy Winehouse from the sweet beginnings of her career to her toxic affair with Blake Fielder and then onto her eventual death. The entire film is told through third party medias like archival footage, paparazzi photographs, and voiceovers from her friends and family. This format has been used before but considering the context of the suffocating limelight that Amy Winehouse lived under, the film uses this medium to tell a powerful and devastating story that ultimately contributed to her death.

I was a teen when Amy hit the peak of her career which was also the point where her detrimental relationship with Blake and addiction was at it's most fervent. Seeing this film truly brought another light seeing who she was before the price of fame ruined her life. The film stayed with me days after I saw it and even reflecting back on it now, her pain and words continue to haunt me. She possessed a soulful sensibility way beyond her years and she knew it. Who knows what would've come of her if her path didn't turn into what it did but all I know is that her music has forever made it's mark in music history. Whether you're a fan of Amy or not, go watch the film because everything you think you know about her is wrong. 

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You may remember Leah Shore's work from when I shared her engrossingly hilarious & eye-popping short film, I Love You So Much last year. She returns yet again with a provocative short film called Hallway, which premiered at this year's SXSW Film Festival! As Shore describes it, Hallway is "queer, about mental disability and existential breakdowns and is set in a real Brooklyn sex dungeon." (If that doesn't grab your attention, you're dead inside!) She had wanted to create something that was both sexually and gender neutral as to not be categorized. And naturally in the name of love, there are no boundaries. I've always enjoyed Shore's work as they are thought-provoking, visually mind-fucking, & simply so emotionally powerful! Take a ride into the trippy mind of Leah Shore & you'll know what I mean!

Follow Leah Shore
Website // Blog // Vimeo // Twitter

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The pioneer of the Greek Weird Wave, Yorgos Lanthimos is no stranger to peculiar and bizarre stories as seen in his films like Dogtooth and Alps (See video).  His new film The Lobster, is set in a dystopian near future where according to the laws of The City, single people are taken to The Hotel where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and outcasted into the woods (Damn, dating is hard!). In all of Lanthimos' films, there is a powerful and relevant underlining theme of societal conventions. In The Lobster, the traditional societal norms of marriage and partnership is taken to an extreme to tell a very relevant and humane story about us all.

The Lobster premiered at Cannes Film Festival earlier this year and it won the Jury Prize award! This is Lanthimos' fifth feature but first film in English so of course, he got the most stellar cast consisting of Colin Farrell, Rachel Weisz, Olivia Colman, John C. Reilly, Lêa Seydoux, and Ben Whishaw. I wasn't so sure how Farrell would fit into the peculiar realm of Lanthimos' stories but add in a couple of pounds, a mustache, and an ultra dead-pan attitude and you got a Farrell worth watching! Hopefully they get it to the U.S. ASAP!

    

     

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Badass Femmes is a bi-weekly column that I write on Crome Yellow about all the Badass Females in pop culture that has shaped my life.

Cheerleaders and football jocks have always been at the top of high school hierarchy, so it’s no wonder why us outcasts always had a love and hate relationship with them. But truth be told, my spunky and spirited 15-year-old self almost became a cheerleader before the inevitable wave of teen angst washed over me. Cheerleaders just had cutest outfits, got all the boys and I just thought my spastic nature would fit right in. Naturally, I had to see the holy grail of cheerleading films, Bring It On, and found plenty to love. As much as I adored Kirsten Dunst as the now iconic Torrance, it was the Clovers that stuck with me because of their no-bullshit, fearless attitude. Despite their economic and sociological background, they had the will to work hard, dream big and come out on top.

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My fervent love and passion for females is a public known fact. I have already said many times that my love for women is so fiery at times that people question if I am queer and I'm totally ok with that! #PussyPower. There are so many films that I absolutely adore directed by women but here I am going to list the films that have inspired and fueled my own work particularly because the 15-day celebration of Directed by Women starts today September 1st to the 15th! The films I am consistently always drawn to are films that tackle themes of identity, sexuality, and friendship. Obviously, some of the films listed below don't fall into these guidelines but are present simply because these films possess vitally important messages and the filmmakers are simply a Badass Femme in her own right! So without further ado, here are my 10 favorite films directed by women! (tbh, no explanation needed! Trust me)

Girlhood

(2014, Cêline Sciamma) 

Marieme joins an all-girl gang in the projects of Paris and is slowly turned out of her shell by her three sassy neighbors. As she falls further under their bravado and volatile energy, she begins making brave and foolish choices.

Fish Tank

(2009, Andrea Arnold)

Mia (Katie Jarvis) is a rebellious teenager on the verge of being kicked out of school. Her hard-partying mother, Joanne (Kierston Wareing), neglects Mia's welfare in favor of her own, and her younger sister (Rebecca Griffiths) hangs out with a much older crowd. Sparks fly between Mia and Connor (Michael Fassbender), Joanne's new boyfriend, and he encourages Mia to pursue her interest in dance. As the boundaries of the relationships become blurred, Mia and Joanne compete for Connor's affection.

A Girl Walks Home Alone at Night 

(2014, Ana Lily Amipour)

The first Iranian Vampire Western ever made, Ana Lily Amirpour's debut basks in the sheer pleasure of pulp. A joyful mash-up of genre, archetype, and iconography, its prolific influences span spaghetti westerns, graphic novels, horror films, and the Iranian New Wave.  (via. Kino)

Suburbia 

(1983, Penelope Spheeris)

After a suburban Los Angeles development is condemned, a band of rebellious young punk rockers makes the abandoned homes their own in this drama. The residents of the surrounding neighborhoods react by forming a vigilante group to drive the punks away, leading to a number of violent confrontations.

Pariah 

(Certified Badass Femme*)
(2011, Dee Rees)

Teenage Alike (Adepero Oduye) lives in Brooklyn's Fort Greene neighborhood with her parents (Charles Parnell, Kim Wayans) and younger sister (Sahra Mellesse). A lesbian, Alike quietly embraces her identity and is looking for her first lover, but she wonders how much she can truly confide in her family, especially with her parents' marriage already strained. When Alike's mother presses her to befriend a colleague's daughter (Aasha Davis), Alike finds the gal to be a pleasant companion.

Palo Alto

(2014, Gia Coppola)

Shy, sensitive April (Emma Roberts) is the class virgin -a popular soccer player and frequent babysitter for her single-dad coach, Mr. B. (James Franco). Teddy (Jack Kilmer) is an introspective artist whose best friend and sidekick Fred (Nat Wolff) is an unpredictable live wire with few filters or boundaries. While April negotiates a dangerous affair with Mr. B., and Teddy performs community service for a DUI - secretly carrying a torch for April, who may or may not share his affection. (Via. Tribeca)

Songs My Brothers Taught Me

(2015, Chloe Zhao)

Songs My Brothers Taught Me is a 2015 American drama film written and directed by Chloé Zhao. It is Zhao's debut feature film. The film, set on the Pine Ridge Indian Reservation, explores the bond between a brother and his younger sister. 

Selma

(2014, Ava DuVernay)

Although the Civil Rights Act of 1964 legally desegregated the South, discrimination was still rampant in certain areas, making it very difficult for blacks to register to vote. In 1965, an Alabama city became the battleground in the fight for suffrage. Despite violent opposition, Dr. Martin Luther King Jr. (David Oyelowo) and his followers pressed forward on an epic march from Selma to Montgomery, and their efforts culminated in President Lyndon Johnson signing the Voting Rights Act of 1965.

Concussion 

(2013, Stacie Passon)

Written and directed by Stacie Passon in an auspicious directing debut effort, and produced by Rose Troche, CONCUSSION is a poignant sexual examination of Abby (Robin Weigert in a star making breakout turn), a forty something married wealthy, lesbian housewife who, after suffering a blow to the head from getting smacked by her son's baseball-walks around every corner of her suburban life to confront a mounting desire for something else. Her newfound desire though is not a take-home item, so Abby inaugurates a double life as a high end escort. Palpably sensual and deliciously contained, CONCUSSION is a keen observation of the complicated contours of midlife crisis. (via. Radius)

Girlfight

(Certified Badass Femme*)
(2000, Karyn Kusama)

Newcomer Michelle Rodriguez in an astounding performance alongside Jaime Tirelli, Paul Calderon and Santiago Douglas. Nothing comes easy for Diana Guzman, a troubled girl on the brink of womanhood. Her teachers don't understand her, her father underestimates her and her friends are few. Diana struggles to find respect and dignity every day. Diana is a quick tempered young woman who finds discipline, self-respect and love in the most unlikely place -- a boxing ring.

Other Favs:

The Punk Singer (2013, Sini Anderson)
Stories We Tell (2012, Sarah Polley)
The Crash Reel (2013, Lucy Walker)
Tank Girl (1995, Rachel Talalay)
We Need to Talk about Kevin (2011, Lynne Ramsay)
Fat Girl (2001, Catherine Breillat)
The Wolfpack (2015, Crystal Moselle)
Paris is Burning (1990, Jennie Livingston)
Point Break (1991, Kathryn Bigelow)
Thirteen (2003, Catherine Hardwicke)
Clueless (1995, Amy Heckerling)

Films I Have Yet to See but Probably Will Love <33:

Persepolis (2007, Marjane Satrapi & Vincent Paronnaud)
Take Care of My Cat (2001, Jeong Jae-eun)
Wadjda (2012, Haifaa al-Mansour)
Appropriate Behavior (2014, Desiree Akhavan)
I Will Follow (2010, Ava DuVernay)
Real Women Have Curves (2002, Patricia Cardoso)

Synopsis via. The Internet (duh)

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It's been a while since a good werewolf film came out so you can understand my excitement after seeing the trailer for the upcoming Danish film, When Animals Dream. The film premiered at last year's Cannes Film Festival and made it's numerous festival rounds including the iconic genre festival, Fantastic Fest, so you already know the film's going to hit some nerves! A teenage girl's sexual awakening unleashes something primal within, (oh, does it ever!) revealing a dark family secret. On the run and in danger, she must embrace a century's old curse to survive. Oh man, let the madness begin!

When Animals Dream totally channels moods of Ginger Snaps and Let the Right One In! At first, I couldn't tell if it was a vampire or werewolf film but glad to know that the film involves werewolves because there isn't enough films about these nightly creatures with females in the forefront besides Ginger Snaps (recommendations are welcomed). Also gaze at the beautiful yet jarring poster! Two is always better than one and obviously I couldn't choose because these posters are absolutely stunning. RADiUS is just killin' it these days with horror films like It Follows and Goodnight Mommy under their belt already! I can't wait for this film to come out next week on August 18th on VOD! 

    

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Yorgos Lanthimos is leading the Greek Weird Wave Cinema movement with his genre-bending and provocative films like Dogtooth and Alps. The subject of identity is nothing new as seen in this video essay prepared as part of the Melbourne International Film Festival Critics Campus program. Conor Bateman looks at the way Lanthimos' narratives present the transformation of identity in three of his films-- Kinetta, Dogtooth, and Alps. Lanthimos dares to challenge not only his characters but the audience to face the absurdity of the society we live in. His next film The Lobster is executed in the same satirical themes and is sure to ignite some conversations about our society's orthodox perception of matrimonial status and true love. Take a gander below and if you haven't seen any of his films, be ready to have your mind-blown!

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The trailer to Robert Eggers' magnificent directorial debut film, The Witch is here! I named the film as one of the best 5 films I saw at Sundance so I am so enthralled to know that A24 finally released a trailer despite it's release being in 2016! Eggers nabbed the Best Director award in the U.S. Narrative Competition at Sundance for The Witch and dare I say, it is a masterpiece. It is 1630 in New England, the lives of a devout Christian family living on the edge of wilderness with five children start to unravel after the mysterious disappearance of their newborn son.  We've all seen stories of parents losing children but when it's the whole family that is a suspect especially, entangled in some ominous magical presence, it's a total different ball game!

This salem-esque story builds to suffocating heights of anxiety and fear as it shows a chilling portrait of a family surrounded by an inescapable evil which is accompanied by masterful camerawork and a powerful musical score. There is about to be some serious devilish shit going down! It's all what a horror film should be with jarring atmospheric tension, mystical figures, and innocent people going mad! The Witch is the one film that I've been telling all my friends about and so, I don't know how I will survive till 2016 for them to all see it! But by the looks of it, I know it's going to be totally worth it! Also, The Witch revived my love for witches and it honestly doesn't get better than that, my friend! 

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Don't just call The Keeping Room a Feminist Western because it is so much more than that! The film stars three of the most kickass women in the biz--Brit Marling, Hailee Steinfeld, and newcomer Muna Otaru. The story takes place during the dying days of the American Civil war where three Southern women--two sisters and one African-American slave--must defend their home and themselves against two strange soldiers. I got a chance to watch it and before I write my review, suffices it to say that you will sweating buckets from the pulsating intensity and panic from the film.

After a successful run in advertising and commercials, Director Daniel Barber went on to create an Oscar-nominated short film called The Tonto Woman before debuting his feature film, Harry Brown starring Michael Caine. It's hard to believe that the The Keeping Room is Julia Hart's first screenplay and Barber's sophomore feature because the film is executed with grade-A suspense. The trailer makes the film look fairly simple but this revisionist Western story packs a big punch. The Keeping Room opens on September 25.

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Badass Femmes is a bi-weekly column that I write on Crome Yellow about all the Badass Females in pop culture that has shaped my life.

Thanks to her youthful roles in Beetlejuice, Edward Scissorhands, Reality Bites and of course, Heathers, Winona Ryder, our Princess of Darkness, will always have fans (and I) using the hashtag #Wino4Evaz on a daily basis. Out of all her films though, Heathers is the most sinister and darkest of all her younger years. As Veronica, Ryder was the fairest of them all, a sharp contrast to her shallow and soul-sucking companions – her angsty and aloof personality epitomized teen behavior in all of its cynical and nihilistic glory! To this day, the character is one that sticks out for standing her ground in a counter culture battle against the very people she once called her best friends. Though times have changed, high school remains a vicious battleground, and to make it out alive, you gotta play the game like Veronica did. Of course she saved the day by killing her ex-boyfriend and knocking her former besties off their throne, but that’s just high school drama to the next level y’all.

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Bradgelina are back & it seems like there is some trouble in paradise! It's been about 10 years since we saw the power couple fall in love on screen in Mr. and Mrs. Smith. And now in By the Sea, these two explore a marriage on the cusp of collapsing onto itself. Set in France during the 1970s, Vanessa, a former dancer and her husband, an American writer, travel the country together. They seem to be growing apart and when they linger in one small quaint seaside town, they become drawn to its more vibrant inhabitants. There hasn't been any heartwrenching dramas these days but this picturesque martial melodrama that's filled with sultry, uber dramatic, & all kinds of euro-vibes is just what I ordered! Can't wait to bawl some tears of my own with Angie when By the Sea comes out November 13th!

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Todd Haynes' latest film Carol cause massive buzz at this year's Cannes Film Festival after it received critical acclaim and a Best Actress prize for Rooney Mara. You can bet that the film is going to become a major contender come this award season. Based on Patricia Highsmith's novel 'The Price of Salt,' the story follows one married wife (Cate Blanchett) and a lonely department store worker's (Rooney Mara) blossoming relationship in 1950's New York City. Sarah Paulson, Kyle Chandler and Jake Lacy also stars. I absolutely adore Haynes for his works featuring a wide range of stories of vulnerable, powerful, and versatile women. This teaser trailer is full of gorgeous and luscious imagery provided by Haynes' longtime DP Edward Lachman. I can't wait for Carol to come out November 20th!

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Year: 2015
Director: Jake Schreier

Writer: John Green (author), Scott Neustadter & Michael H. Weber (screenplay)

Cinematographer: David Lanzenberg

Cast: Nat Wolff, Cara Delevingne, Austin Abrams, Justice Smith, Halston Sage, Jaz Sinclair, 

Country of Origin: USA

Rating: PG-13
Time: 109 mins.

If you know Arshad, you know that he is all about YA novel to film adaptations. So it's no surprise that we are reviewing John Green's latest book to film story, Paper Towns starring Nat Wolff and Cara Delevingne. Fans loved Green's The Fault in our Stars so obviously the studios hurried and planned to make two more films including this film and Looking for Alaska! We will be all well versed in Green's bibliography soon enough! Paper Town follows Quentin, a shy young man who embarks on a journey to find Margo, the rebellious and uninhibited girl next door of his dreams! 

If you watch the trailer, you can definitely pick up some Manic Pixie Dream Girl vibes but make no mistake because John Green apparently wrote the story to dismantle the very detrimental notion that many kids have today. I know that when I was young, I had the same complex but with a boy which ultimately spiraled out of control! So, I am glad that Green didn't try to sugarcoat or feed our love starved fantasies with just another love story. Instead, he strikes our hearts with honesty and sincerity. If only the pacing and overall tone had more energy, the film would've been solid. But regardless, I think it's an important film that should be seen by all teens. 

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There are times you witness a visual masterpiece that caters so exactly to you artistic palette, it makes you grimace that you didn't know who these people were before. That's exactly how I feel about Lorn's ethereal tunes and R113's magnificent work behind their Acid Rain music video. R113 is a Los Angeles based film collective that specializes in music videos, commercials, and films. Take a gander at this insanely dark and vibrant work of art that has everything I ever wanted (in life): zombie cheerleaders, neon-lite diners, and b0mbtastic dances! Did I mention the orgasmic jams by Lorn?! Ugh, this has been on repeat for a while now. Get ready to have your mind-bllooown!

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What is the Girl Talk Series?

In the fourth episode of the Girl Talk Series, But That's Life, Right?, Grace & Bomy have a major heart to heart moment and share their own personal stories of loss especially being at such a young age. The topic of loss is one that I feel the most connected to especially transitioning from a young girl to a woman and just dealing with life. Grace & Bomy are the youngest girls featured in the Girl Talk Series and yet, they have experience hardship that many of us haven't even experienced entering our mid-twenties and on. As much as our young generation is inundated and ruled by the presence of digital media and technology, there are always moments of true connect and bond amongst our closest friends no matter how "connected" we feel in society through our hand-held gadgets. This is the most personal episode out of the entire series that will speak to many people as we peek into the emotions and hearts into real girls who share with us their most intimate feelings about loss.

Previous Episode // Ep. 5: It's a Love & Hate Relationship

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Oh Mama! There's been a lot of buzz surrounding Veronika Franz and Severin Fiala's horror film, Goodnight Mommy after it premiered at Venice Film Festival last year. I even missed it when it was showing at AFI FEST so I am so happy that the trailer is finally here! I don't do well with horror films but after watching Jennifer Kent's The Babadook, I think I can watch anything. And by the looks of it, it seems that Goodnight Mommy would be on par with The Babadook in terms of providing jarring imagery, mommy issues, and psychological mind-fuckery. This trailer is bound to induce some blood-curdling yelps and come September 11th, we most likely will witness of one of the best horror films of this year!

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What is the Girl Talk Series?

In the third episode of the Girl Talk Series, Motherhood is Serious Business, Becky & Rea talk about their contrasting views of motherhood, careers, and life when they discover that their friend Sophie is pregnant. Entering our mid-twenties, the ever so pressing topic of marriage and motherhood all while juggling a career always seems to be on our minds. Although we might want to do it all: have a successful career as well as build a family, sometimes it's just difficult to manage especially given our individual circumstances in life. We explore the vast spectrum of different women who feel innately tied to motherhood to those who feel that maybe the idea of maternal instinct is a social construct that they simply don't possess. Whatever their take on it is, it is important to show the various viewpoint so we can shatter the societal expectations of women and support each other's decision no matter what. 

Previous Episode // Ep. 4: But That's Life, Right?

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Our favorite grrrlz are back! Amy Poehler and Tina Fey reunite after doing Baby Mama with another hilarious and riotous ride in Sisters. As seen in most films, women get a bad rep for being complete party poopers but nope, not this time! This time Poehler and Fey bring the fire when playing two sisters who decided to have a last rendezvous at their parent's house. And boy, do they bring the noise! I'm so glad to finally see women letting loose in an obnoxious, unfiltered, and of course, hilarious way as we normally do! Directed by Pitch Perfect's Jason Moore and written by SNL veteran Paula Pell, this film is going to be a blast especially starring Maya Rudolph, John Leguizamo, Ike Barinholtz, John Cena, and more! Sisters comes out Christmas and you bet your ass I'll be the very few people watching it by myself if I have to! 

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Oh snapz! Our favorite hip and uber talented Quebecois auteur, Xavier Dolan is here once again with another film called Tom at the Farm! Granted he made this film before Mommy which I saw a year ago at AFI FEST it but finally got a U.S. trailer so here it is! After the sudden death of his lover, Guillaume, Tom played by Dolan travels to his home in the country for the funeral. It's a sexually charged, psychological thriller that climaxes to a twisty and deceptive conclusion. 

Considering Tom at the Farm was the second film I've seen of his after Lawrence Anyways, I wasn't sure how to make of the film especially the ending. You can see my spoiler-filled review with Sales on Film here. In retrospect having seen most of his filmography now, I think I should revisit the film considering the film's Hitchcockian tones and feels is worth reanalyzing. Tom at the Farm opens on August 14. 

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What is the Girl Talk Series?

In this second episode, Let's Have a Body Party, Alisha & Camille discuss body issues after watching Lily Myer's slam poetry of "Shrinking Women." In the video, Myer proclaims that women have been taught to grow in while men have been taught to go out. In a culture where women constantly have to filter their thoughts and habits, it's important to focus and point out how talking about our bodies affect our self-esteem and our health. Especially when you mix culture and parents into it. This is a topic that needs to be discussed time and time again and most people just think that Asians are "naturally" petite which is on the contrary. Alisha & Camille touch on this subject of body issues within our culture to shed more light on the pressures to be thin, food habits, and the misconceptions of Asian body norms. 

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Badass Femmes is a bi-weekly column that I write on Crome Yellow about all the Badass Females in pop culture that has shaped my life.

Girls are constantly being told that they can’t do what boys can, simply because…. biology. Alright, we get it! Now, shut up! I understand that we are physically not built the same way. But while we sometimes might not be able to carry something really heavy or open an insanely air-tight mason jar, it doesn’t mean we don’t have anything to offer. This is why it’s so obviously infuriating to tell a woman, a person who can bring life into this world, that they can’t do and don’t have the same power as men. This idea is one of the central themes in Karyn Kusama’s breakthrough debut, Girlfight, starring then fresh-faced newcomer Michelle Rodriguez as Diana Guzman. As the role that catapulted the now, Fast & Furious star to fame, the role of her lifetime gave us an unapologetically fierce and downright in-your-face Diana, a woman who fights (literally) against gender discrimination both in her private and public life.

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