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Showing posts with label Best of Lists. Show all posts
Showing posts with label Best of Lists. Show all posts

Just when I thought 2014 was an incredible year for film, 2015 rolls up and kills the game even further. There were a plethora of tremendously groundbreaking, forward-thinking, fresh films this year but I picked 10 films that truly resonated with me to my core, ones that transported me to another realm, and films that were made by the blood and soul of a cinephile. I've thought a tremendous amount about my top films so you already know that these 10 films are my ride or die babies and I will back them up 110%! So without further ado, here are my top 10 films of 2015!



Top 10


Mad Max: Fury Road (Dir. George Miller)

It’s been 30 years since the last Mad Max film was released and with the long wait and arrival of Mad Max: Fury Road, it surpassed even the wildest dreams of the most hardcore fans! George Miller returns with a bigger and badder vision of his previous films, embodying a visual spectacle so grandiose, he elevates the genre and shows us how action films could be just as poetic and exhilarating at the hands of a mastermind by telling his story solely through action. This adrenaline-pumped, feverish, and ferocious goose chase is revisioned with a modern-day feminist stance which breaths fire into this already technically flawless film. It’s one film where as soon as it ended, I wanted to experience it again and again! // Trailer Reaction


Mustang (Dir. Deniz Gamze Ergüven)

It seems like every year, there is that one film that is deemed as a “Feminist Film” and this year, it is the Turkish film, Mustang. And while I was able to check off everything that make the film that genre, it completely surpassed all my expectations and more. Gorgeously shot and brilliantly acted by unknown actresses, the film portrays the raw vibrancy of sisterhood even in its darkest moments. The showcase of their resilience over their constant struggle was refreshing to witness as they navigate and fight against their oppression. This is one hell of a first feature by Ergüven that is self-assured, irresistible, and ultimately a powerful film.


Tangerine (Dir. Sean Baker)

It's no wonder why Sean Baker's Tangerine is on all top-lists of 2015! He gives us an all access pass into the unseen world of Sunset Blvd where two transgender sex-workers are the centerpieces of this explosive revenge film. Riotously hilarious as it is poignantly tender, the film pulsates with authenticity through its vibrant cinematography and raw performances. Utilizing the iPhone 5s, trap music, and a refreshing story,  Tangerine is one hell of a monster of a film that will chew you up and spit you back out! It's already become a Christmas classic that'll have you swerving down Santa Monica Blvd and screaming, Merry Christmas Bitch! // Full Review


45 Years (Dir. Andrew Haigh)

It's a special moment when a film with a simple narrative can leave a mark and marinate in the deepest corners of your soul, rendering it to be a gem to be cherished forever. That’s what 45 years did to me and now, I am weak at the knees just by it’s mention. It's incredible how a subject as foreign and vast as a 45-year marriage can seem so relatable especially in the quiet struggle of unexpected news that rocks one harmonious marriage. It's the radically quiet yet nuanced performance by Charlotte Rampling that shows the depths of the emotional complexity and struggle that is singularly translated through just her facial expressions. 


The Diary of a Teenage Girl (Dir. Marielle Heller)

Adapted by Phoebe Gloekner autobiographical graphic novel, The Diary of a Teenage Girl tells a teenage girl's sexual odyssey with an acute and quirky observation that makes Minnie a quintessential voice to girls everywhere. Accompanied by an animated spirit of comic-book creator Aline Kominsky (via. animator Sara Gunnarsdottir), we bear witness to Minnie's journey through girlhood in all its awkward, embarrassing, and equally rewarding journey as she experiences the perils of first love and claiming her burgeoning sexuality. Marielle Heller's directorial debut is a powerful one that is crafted with precision and sincerity to truthfully represent the complexity that lies within a teenage girl's thoughts and emotion without judgement. 

Magic Mike XXL (Dir. Gregory Jacobs)

Before you scoff at Magic Mike XXL, WATCH IT. Magic Mike XXL is one of the very few times the female gaze has been utilized and any use of it deserves praise and recognition! But even with that tremendous aspect, the film showed an honest and frank portrayal of brohood in all it's equally trivial and grandiose moments. Through the showcase of frank conversations of career aspirations, bromance, and female sexuality, the film exceeds all expectations and its predecessor. It’s one of the most fun cinematic experiences I’ve had in a while that had me hollering, wooing, and even in tears. It’s definitely one for the books. // Full Review


Victoria (Dir. Sebastian Schipper)

Victoria is an film that MUST be experienced.  It's a tour-de-force of a film and not just because of it's technical achievement of the 2.5 hour film being told all in ONE shot but because the film truly encapsulates the human experience in all its serendipitous moments and human connection, no matter how tragic. Taking place in real time and on the streets of Berlin, the story unravels steadily, taking us through a roller coast of emotions, a tender character study and ultimately showcasing one of the most audacious and ballsy cinematic experience yet. This is a MUST-SEE! // Trailer


The Revenant (Dir. Alejandro González Iñárritu)

You would think that Alejandro González Iñárritu would rest after winning his freshly pressed Oscar for last year’s Birdman but he did just the opposite and delivered an uncompromising film that is literally a tour-de-force of will in front and behind the camera. Reuniting up with visionary cinematographer Emmanuel Lubezki once again, The Revenant transports you to another world with stunning visuals that creates an immersive and visceral experience through the story's rigorous content that emotionally and physically demands just as much from the viewer as it does from the lead character Hugh Glass, played by Leonardo DiCaprio. He gives an astonishing 200% commitment which only further proves why he's one of the best actors of the 21st century.


Sicario (Dir. Denis Villeneuve)

Denis Villeneuve is a master when it comes to telling stories of the human experience especially in relation to violence and crime so it's no surprise that Sicario is one hell of a blistering drug war drama that will undoubtably leave you high and dry. It is ruthless in content, immaculate in form, and sweltering in bleakness from start to finish. The film is a piercing reality check as we witness the cyclical and political engine of the drug war in America stronger than ever in this ceaselessly soul-crushing thriller. Emily Blunt as Kate, an idealistic FBI agent, delivers a nuanced performance that will surely haunt you for days after. Guarantee. // Full Review



Carol
(Dir. Todd Haynes)

Nobody can tell a 1950’s period piece quite like Todd Haynes can and Carol is proof of that. Adapted by Patricia Highsmith’s novel The Price of Salt, screenwriter Phyllis Nagy perfectly translates this love story with subtly and poise. Shooting on 16mm, every luscious shot by cinematographer Edward Lachman’s looks as if it should be framed and put up on The Louvre. It’s a love story as universal as it is realistic to the times. The performance by Rooney Mara shows the restrained and delicate nuances of the stirring and suppressed emotions of first love in a spectacular way. Every little detail down to the swoon worthy imagery to the sweeping music by Carter Burwell makes Carol one of the most decadent and moving love stories to date.

Honorable Mentions:

Runner Ups:
Ex-Machina

Festival Favorites:

The Tribe and Girlhood were also on my list last year but considering it's been making their rounds, I am mentioning them once again because they are fantastic!

Evolution
Sworn Virgin
Crush the Skull
My Love, Don't Cross that River
Out of my Hand
Twinsters

Documentaries:

The Wolfpack

Dior and I

Fiction:

Goodnight Mommy

Goodnight Mommy
Son of Saul

Furious 7
The Assassin
Spy

The Big Short
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My love for posters has grown tremendously over the years and so whenever a film comes out, I anticipate the release of the film poster because it truly is another extension of the film's visual language and the essence of the film. In addition to 2014's Best Posters, this year's roster of great film posters was nothing but outstanding! Whether it is the vibrant and eye-catching imagery of Iris, the beautifully sun-soaked snapshot of Tangerine, or the powerful and poignant poster of White God, each of these film posters translates their film so gorgeously, I can't help but marvel at their artistry. Enjoy!


    



Shout out to PosterPosse for always keepin' it 100.


   


    



   




   




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It took me long enough but it wasn't until recently that I fell in love with film soundtracks. Obviously, they have a profound influence on navigation of the tones and moods of the story's narrative and it seems like 2015 was yet another exceptional year for soundtracks especially to someone like me who wasn't aware of their significant roles previously. So here we go, I picked five film soundtracks that not only influenced the narration but also were a powerful and singular character in the film. I'm sure you can guess a few of them now but let's go!


Ryan Gosling's directorial debut film, Lost River, may have went over many people's heads but without a doubt, the film score by Johnny Jewel is one that will bring feverish nightmares or ethereal serenity to some. If I were stuck in a romanticized version of the post-apocalypse, I would want this soundtrack to be blasting on every decrepit street corner. You can tell he got some major inspiration from working with Nicolas Winding Refn especially on Only God Forgive. And before you disregard Gosling's directing chops, I suggest you watch this film for yourself. (See Review)

Favorite tune to dance to while a building burns down: Tell Me - Johnny Jewel




There is no film this year that has a more in-your-face soundtrack and one that acts like its very own wild character than in Sean Baker's Tangerine. The tone of the film would've been drastically different had it not been the trap music amongst the most prominent sounds that introduced us into the wild wild west of the intersection of Santa Monica Boulevard and Highland. What is more surprising is that Baker utilized such a boisterous soundtrack in Tangerine which vastly contracts from his previous works where there were little to no music involved. I'm thrilled he got his inspiration from seeing Wolftyla's vine. (See Review)

#1 song I want playing while I enter my High School reunion looking fly as hell: Taliban - Haterade & Skellism




If Mad Max: Fury Road isn't 2015's best film of the year, I don't know what is! I know some were peeved that Brian May of the music composer of the OG Mad Max and Road Warrior didn't return for Fury Road but hey, Junkie XL, the composer of Fury Road did one hell of a job! It perfectly captures the impending and current shitshow that is going down as Feminists across the land reclaim back their freedom in the most glorious and earth-shattering fashion! It is THE most perfect soundtrack to the grandest of cat and mouse chases!

Perfect anthem to play while I continue to handle my shit and stomp on patriarchy!: Storm Is Coming




In Duke of Burgundy, The characters and music seem to be speaking the same language and dancing to the same beats. The sultry tunes of the seduction and power play within this provocative relationship continues to make bewildering rounds around us with every ringing chord. It helps guide the audience through the ebbs and flow of this strange dynamic, causing the characters and audience alike to be entranced and entangled in this ever growing enigma. But underneath it's dream-like melodies, there is a deep sense of melancholia that fills the titillating air.

Melody I'd like to hear while dancing like a gypsy in my sun-soaked living room on a Sunday afternoon: Opening Credit Song 




It Follows is one of the best horror films of this decade. While that might be a big statement, it’s the swift precision of the narrative, cinematography, and especially the soundtrack that propels this film to the top of many top film lists. The soundtrack music by Disasterpeace elevates this claustrophobic and anxiety-inducing story to suffocating heights with it’s piercing instrumentals and skin-crawling melodies. The music reigns supreme in this story and it's a beast that cannot be tamed! You have been warned!

Melody I’d like playing when I’m having an existential crisis aka SOMEONE IS TRYING TO MURDER ME (How perfect): Detroit


Other soundtracks like Kumiko the Treasure Hunter, Victoria, Only Lovers Left Alive and many others deserve recognition for providing a stellar soundtrack that help gear the narrative in such magnificent ways. It’s incredible how a bunch of curated tracks could truly make a film that much better by either helping the audience understand the emotional state of a character or just to heighten the mood even that much deeper. I cannot wait to see what next year will provide because by the looks of it, it’s going to be a tough year to follow up!
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My fervent love and passion for females is a public known fact. I have already said many times that my love for women is so fiery at times that people question if I am queer and I'm totally ok with that! #PussyPower. There are so many films that I absolutely adore directed by women but here I am going to list the films that have inspired and fueled my own work particularly because the 15-day celebration of Directed by Women starts today September 1st to the 15th! The films I am consistently always drawn to are films that tackle themes of identity, sexuality, and friendship. Obviously, some of the films listed below don't fall into these guidelines but are present simply because these films possess vitally important messages and the filmmakers are simply a Badass Femme in her own right! So without further ado, here are my 10 favorite films directed by women! (tbh, no explanation needed! Trust me)

Girlhood
(2014, Cêline Sciamma) 

Marieme joins an all-girl gang in the projects of Paris and is slowly turned out of her shell by her three sassy neighbors. As she falls further under their bravado and volatile energy, she begins making brave and foolish choices.

Fish Tank
(2009, Andrea Arnold)

Mia (Katie Jarvis) is a rebellious teenager on the verge of being kicked out of school. Her hard-partying mother, Joanne (Kierston Wareing), neglects Mia's welfare in favor of her own, and her younger sister (Rebecca Griffiths) hangs out with a much older crowd. Sparks fly between Mia and Connor (Michael Fassbender), Joanne's new boyfriend, and he encourages Mia to pursue her interest in dance. As the boundaries of the relationships become blurred, Mia and Joanne compete for Connor's affection.

A Girl Walks Home Alone at Night 
(2014, Ana Lily Amipour)

The first Iranian Vampire Western ever made, Ana Lily Amirpour's debut basks in the sheer pleasure of pulp. A joyful mash-up of genre, archetype, and iconography, its prolific influences span spaghetti westerns, graphic novels, horror films, and the Iranian New Wave.  (via. Kino)

Suburbia 
(1983, Penelope Spheeris)

After a suburban Los Angeles development is condemned, a band of rebellious young punk rockers makes the abandoned homes their own in this drama. The residents of the surrounding neighborhoods react by forming a vigilante group to drive the punks away, leading to a number of violent confrontations.

Pariah 
(Certified Badass Femme*)
(2011, Dee Rees)

Teenage Alike (Adepero Oduye) lives in Brooklyn's Fort Greene neighborhood with her parents (Charles Parnell, Kim Wayans) and younger sister (Sahra Mellesse). A lesbian, Alike quietly embraces her identity and is looking for her first lover, but she wonders how much she can truly confide in her family, especially with her parents' marriage already strained. When Alike's mother presses her to befriend a colleague's daughter (Aasha Davis), Alike finds the gal to be a pleasant companion.

Palo Alto
(2014, Gia Coppola)

Shy, sensitive April (Emma Roberts) is the class virgin -a popular soccer player and frequent babysitter for her single-dad coach, Mr. B. (James Franco). Teddy (Jack Kilmer) is an introspective artist whose best friend and sidekick Fred (Nat Wolff) is an unpredictable live wire with few filters or boundaries. While April negotiates a dangerous affair with Mr. B., and Teddy performs community service for a DUI - secretly carrying a torch for April, who may or may not share his affection. (Via. Tribeca)

Songs My Brothers Taught Me
(2015, Chloe Zhao)

Songs My Brothers Taught Me is a 2015 American drama film written and directed by Chloé Zhao. It is Zhao's debut feature film. The film, set on the Pine Ridge Indian Reservation, explores the bond between a brother and his younger sister. 

Selma
(2014, Ava DuVernay)

Although the Civil Rights Act of 1964 legally desegregated the South, discrimination was still rampant in certain areas, making it very difficult for blacks to register to vote. In 1965, an Alabama city became the battleground in the fight for suffrage. Despite violent opposition, Dr. Martin Luther King Jr. (David Oyelowo) and his followers pressed forward on an epic march from Selma to Montgomery, and their efforts culminated in President Lyndon Johnson signing the Voting Rights Act of 1965.

Concussion 
(2013, Stacie Passon)

Written and directed by Stacie Passon in an auspicious directing debut effort, and produced by Rose Troche, CONCUSSION is a poignant sexual examination of Abby (Robin Weigert in a star making breakout turn), a forty something married wealthy, lesbian housewife who, after suffering a blow to the head from getting smacked by her son's baseball-walks around every corner of her suburban life to confront a mounting desire for something else. Her newfound desire though is not a take-home item, so Abby inaugurates a double life as a high end escort. Palpably sensual and deliciously contained, CONCUSSION is a keen observation of the complicated contours of midlife crisis. (via. Radius)

Girlfight
(Certified Badass Femme*)
(2000, Karyn Kusama)

Newcomer Michelle Rodriguez in an astounding performance alongside Jaime Tirelli, Paul Calderon and Santiago Douglas. Nothing comes easy for Diana Guzman, a troubled girl on the brink of womanhood. Her teachers don't understand her, her father underestimates her and her friends are few. Diana struggles to find respect and dignity every day. Diana is a quick tempered young woman who finds discipline, self-respect and love in the most unlikely place -- a boxing ring.


Other Favs:

The Punk Singer (2013, Sini Anderson)
Stories We Tell (2012, Sarah Polley)
The Crash Reel (2013, Lucy Walker)
Tank Girl (1995, Rachel Talalay)
We Need to Talk about Kevin (2011, Lynne Ramsay)
Fat Girl (2001, Catherine Breillat)
The Wolfpack (2015, Crystal Moselle)
Paris is Burning (1990, Jennie Livingston)
Point Break (1991, Kathryn Bigelow)
Thirteen (2003, Catherine Hardwicke)
Clueless (1995, Amy Heckerling)

Films I Have Yet to See but Probably Will Love <33:

Persepolis (2007, Marjane Satrapi & Vincent Paronnaud)
Take Care of My Cat (2001, Jeong Jae-eun)
Wadjda (2012, Haifaa al-Mansour)
Appropriate Behavior (2014, Desiree Akhavan)
I Will Follow (2010, Ava DuVernay)
Real Women Have Curves (2002, Patricia Cardoso)


Synopsis via. The Internet (duh)
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