As some of you may know, I run social media for the Indian Film Festival of Los Angeles! IFFLA ran from April 5-9th and it was five jam-packed days of premieres, filmmakers and parties! Needless to say, it was an absolute success! I got to meet Nisha Ganatra, director of iconic LGBTQ+ film, Chutney Popcorn and even got to see Danny Pudi IRL! I bumped into several film friends and tweeted and instagramed to my heart's desire! If you haven't been to the festival yet, it is definitely worth checking out!

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YO! I am back full throttle with my Sundance vlog and this is a real good one! I had the pleasure of going to my first ever Sundance Film Festival in Park City, Utah and it was everything I had expected and more. The combination of the freezing cold, sleepless nights, and lack of warm food really made me feel like I was a wild chicken running around with my head cut off but it was all part of the great experience! I did not go to as many swanky parties but you bet your ass that I got to watch tons of mind-blowing, forward-thinking, and super duper fresh films! I cannot wait for all these films to come out so you can just gorge on the next level of beauty and innovativeness these films have to offer! And in tribute to Sean Baker's Tangerine which was wholly shot on the iPhone 5s (GASP!), I decided to shoot my entire vlog on my iPhone! So LEGGO!

Top 5 Films: (See full post)

Songs My Brothers Taught Me (Dir. Chloé Zhao) See Trailer
Tangerine (Dir. Sean Baker) See Review
Pervert Park (Dir. Frida & Lasse Barkfors)
The Witch (Dir. Robert Eggers) See Trailer
The Wolfpack (Dir. Crystal Moselle)

The Nightmare (Dir. Rodney Ascher) A-
Partisan (Dir. Ariel Kleiman) B-
Results (Dir. Andrew Bujalski) C
Welcome to Leith (Dir. Michael Beach Nichols & Christopher K. Walker) A
Dope (Dir. Rick Famuyiwa) B+
Turbo Kid (Dir. Francois Simard & Anouk Whissell & Yoann-Karl Whissel) B+
Hot Girls Wanted (Dir. Jill Bauer & Ronna Gradus) C
James White (Dir. Josh Mond) A
Seoul Searching (Dir. Benson Lee) B+
Knock Knock (Dir. Eli Roth) B+
In Football We Trust (Dir. Tony Vainuku & Erika Cohn) (See Review) A 
The Chinese Mayor (Dir. Hao Zhou) A
City of Gold (Dir. Laura Gabbert) A

Best 5 Films // Most Anticipated Films at Sundance

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Sundance is less than a week and I am proud to announce that I will be attending this year's Sundance Film Festival! I am continuously impressed by Sundance's extensive and expansive selection of films every year! And of course, I am enthralled by just the sheer fact that I will be breathing the same icy air as these wondrous filmmakers, press, and film lovers alike! Going to Sundance has been a life-long dream of mine so I am definitely starting out 2015 right! There are so many great films at this festival but sadly, I was only able to get 10 tickets for right now. So naturally, I had to ensure that those 10 films were all on my ultimate MUST-SEE list and I am proud to say that I was able to get everything I had wanted. So without further ado, here are the top films I got tickets for as well as the other brilliant films I desperately want to see!

Tickets I've Already Gotten:

Tangerine (Dir. Sean Baker)

A working girl tears through Tinseltown on Christmas Eve searching for the pimp who broke her heart. Cast: Kitana Kiki Rodriguez, Mya Taylor, Karren Karagulian, Mickey O'Hagan, Alla Tumanyan, James Ransone.

Why: I am so drunk in love with Sean Baker's filmmaking style and stories that highlights underrepresented  communities with such sincerity and ferocity. And Tangerine especially because the story takes place on the nitty gritty streets of Los Angeles featuring transgender actresses in all their glory! I don't expect anything less than a visceral, intoxicating, and dynamic film experience from Sean. The man basically can do no wrong! His previous films, Take Out, Prince of Broadway, and Starlet are all on Netflix so get on it folks!

Advantageous (Dir. Jennifer Phang)

In a near-future city where soaring opulence overshadows economic hardship, Gwen and her daughter, Jules, do all they can to hold on to their joy, despite the instability surfacing in their world. Cast: Jacqueline Kim, James Urbaniak, Freya Adams, Ken Jeong, Jennifer Ehle, Samantha Kim.

Why: Just watch the short film version of Advantageous and you will know why. This premise is so dense, I can't wait to see a full-length feature of them really digging into this world that talks about complex social issues about economies, values, and gender disparity. And it doesn't hurt that there is an Asian woman in the forefront of this film that isn't sexualized or a tiger mom in any way.

Knock Knock (Dir. Eli Roth)

Two beautiful young girls walk into a married man's life and turn a wild fantasy into his worst nightmare. Cast: Keanu Reeves, Lorenza Izzo, Ana De Armas, Aaron Burns, Ignacia Allamand, Colleen Camp.

Why: Two Things: Keanu Reeves and two girls. What could possibly go wrong?! Oh man, so many things and I've grown to love Keanu more and more these days after John Wick and Side by Side. So, I'm really hoping shit goes down and Eli Roth is gives us some sexy time with this uber attractive trio. Of course, some gun play wouldn't be so bad either.

Seoul Searching (Dir. Benson Lee)

A comedy set in the ’80s about a group of foreign-born Korean teenagers who meet at a Seoul summer camp to learn what it means to be Korean. The three boys, from the U.S., Mexico, and Germany, then meet three girls who rock their world. Cast: Justin Chon, Jessika Van, In-pyo Cha, Teo Yoo, Esteban Ahn, Byul Kang.

Why: I've been a fan of all of Benson Lee's work since his first documentary about B-Boys called Planet B-Boy so naturally, I was interested in his new work which is a teen comedy, featuring an all Asian cast! In the 80s! In Korea! I've been waiting to see another teen high school comedy since forever and with the merging of Koreans from all over the globe, it is bound to get so culturally diverse in this film! Check out the film's teaser because it looks like a freaking riot! 

Pervert Park (Dir. Frida Barkfors & Lasse Barkfors)

Pervert Park follows the everyday lives of sex offenders in a Florida trailer park as they struggle to reintegrate into society, and try to understand who they are and how to break the cycle of sex crimes being committed.

Why: The title alone the reason why I am so intrigued because as much as I fear for my life of having an incident with a sex offender, they are (obviously) people as well who are battling with their own demons. It'll be a nice and eye-opening documentary to see their perspective of their crimes and situation in-depth than what meets the eye.

The Nightmare (Dir. Rodney Ascher)

A documentary-horror film exploring the phenomenon of sleep paralysis through the eyes of eight people. They (and a surprisingly large number of others) often find themselves trapped between the sleeping and awake realms, unable to move but aware of their surroundings while subject to disturbing sights and sounds.

Why: Getting sleep paralysis is LIT.ER.ALLY. my worst nightmare and I wish it never happens to me like it has to so many other people. So why am I watching a film about something that I am so horrified by? Ascher's previous documentary, Room 237 was superbly made and I am continuously fascinated by his work and subjects. So while just the act of watching this documentary will be pure psychological punishment, I'm doing it for the art! And cause I'm a masochist. Horray?

Dope (Dir. Rick Famuyiwa)

Malcolm is carefully surviving life in a tough neighborhood in Los Angeles while juggling college applications, academic interviews, and the SAT. A chance invitation to an underground party leads him into an adventure that could allow him to go from being a geek, to being dope, to ultimately being himself. Cast: Shameik Moore, Tony Revolori, Kiersey Clemons, Blake Anderson, Zoë Kravitz, A$AP Rocky.

Why: Y'all know me and Los Angeles films! We need more of them! Especially ones that show the unfiltered version of LA and not the glitzy glam of Hollywood. And I always love a good coming-of-age storie with a diverse cast like this one! Who can deny Tony Revolori after The Grand Budapest Hotel! Tbh, this film just looks dope, just as the title implies and with a film with A$AP Rocky, I wouldn't expect anything less! *Cue A$AP Rocky's Wild for the Night*

Songs My Brothers Taught Me (Dir. Chloé Zhao)

This complex portrait of modern-day life on the Pine Ridge Indian Reservation explores the bond between a brother and his younger sister, who find themselves on separate paths to rediscovering the meaning of home. Cast: John Reddy, Jashaun St. John, Irene Bedard, Taysha Fuller, Travis Lone Hill, Eléonore Hendricks

Why: I have not seen any of Zhao's previous works but as she is supported by every independent film organization including IFP and Film Independent, I would definitely like to see her work! The premise and image seems like she will tell a unique story about Indians like we've never seen before. And to be honest with you, I don't think I've ever seen a film about Native Americans so it'll be great to see a story that explores their culture, land, and identity. 

City of Gold (Dir. Laura Gabbert)

Pulitzer Prize-winning critic Jonathan Gold casts his light upon a vibrant and growing cultural movement in which he plays the dual roles of high-low priest and culinary geographer of his beloved Los Angeles.

Why: Jonathan Gold is my go-to guy when I don't know what to eat and as he is an iconic figure of Los Angeles, I must watch this film! I mean the guy was born in Los Angeles, went to UCLA, and now works for The LA Times! I don't know anyone who is more LA than Gold right here! His eccentric look and positively vivacious writing about food (specifically ethnic food) is what makes him so damn unique as a critic and a figure in the food industry. 

Hot Girls Wanted (Dir. Jill Bauer & Ronna Gradus)

Hot Girls Wanted is a first-ever look at the realities inside the world of the amateur porn industry and the steady stream of 18- and 19-year-old girls entering into it.

Why: Why not?! Just the word porn is provocative enough to make me watch this documentary but also considering that it focuses on young women, it would be fascinating to see their perspective of what the porn world is like as a novice. Tackling not only porn but the internet and the theme of the "girl next door" is endlessly alluring as how all these factors have contributed to changing the platform of the adult film industry in many ways since the birth of dial-up.

Films I Want to See:

Fresh Dressed (Director: Sacha Jenkins)

The history of hip-hop fashion from its birth in the South Bronx to its rise as a billion-dollar global industry, “Fresh Dressed” is supported by rich archival materials, in-depth interviews with individuals crucial to the evolution, and the outsiders who study and admire them.

The Hunting Ground (Dir. Kirby Dick) 

From the makers of “The Invisible War” comes a startling expose of rape crimes on U.S. campuses, their institutional cover-ups, and brutal social toll. Weaving together verite footage and first-person testimonies, the film follows survivors as they pursue their education and justice — despite harsh retaliation, harassment, and pushback.

The Mask You Live In (Dir. Jennifer Siebel Newsom)

Is there a “boy crisis” in America? Is our male population suffering due to our emphasis on power, dominance, and aggression? “The Mask You Live In” explores how our narrow definition of masculinity is harming our boys, men, and society at large and unveils what we can do about it.

Finders Keepers (Dir. Bryan Carberry & Clay Tweel)

Recovering addict and amputee John Wood finds himself in a stranger-than-fiction battle to reclaim his mummified leg from Southern entrepreneur Shannon Whisnant, who found it in a grill he bought at an auction and believes it to therefore be his rightful property.

The Wolfpack (Dir. Crystal Moselle)

Six bright teenage brothers have spent their entire lives locked away from society in a Manhattan housing project. All they know of the outside is gleaned from the movies they watch obsessively (and recreate meticulously). Yet as adolescence looms, they dream of escape, ever more urgently, into the beckoning world.

Lila & Eve (Dir. Charles Stone III)

Lila, a grief-stricken mother reeling from her son’s murder, attends a support group where she meets Eve, who urges her to take matters into her own hands to track down her son’s killers. They soon embark on a journey of revenge, but also recovery. Cast: Viola Davis, Jennifer Lopez, Shea Whigham, Julius Tennon, Ron Caldwell, Aml Ameen.

Mistress America (Dir. Noah Baumbach) 

Tracy, a lonely college freshman in New York, is rescued from her solitude by her soon-to-be stepsister Brooke, an adventurous gal about town who entangles her in alluringly mad schemes. Mistress America is a comedy about dream-chasing, score-settling, makeshift families, and cat-stealing. Cast: Greta Gerwig, Lola Kirke.

(Synopsis via Indiewire)

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Year: 2014
Director: J.C. Chandor

Writer: J.C. Chandor

Cinematographer: Bradford Young

Cast: Oscar Isaac, Jessica Chastain, David Oyelowo, Elyes Gabel

Country of Origin: U.S.

Rating: N/A

Time: 125 min.

Kristen Sales (Sales on Film) and I went to AFI FEST this past month and we were able to catch some of the same films together and so we decided to do the natural thing and record some reviews together. J.C. Chandor's A Most Violent Year is bound to stir some much needed discussion among cinephiles and audiences alike due to the polarizing effect it had on people. Whether you liked it or not, it is undeniable the unique cinematic voice Chandor has for the struggles of everyday Americans. Kristen and I once again explore the themes and aspects of A Most Violent Year that makes us love it or hate it!

I can totally relate to Kristen when she compares A Most Violent Year to films from the old days and how it feels very old school. Indeed, it feels like it could've been made in the 60's or 70's but they made a very simple story seems a lot more complicated than it actually was suppose to be. But what I liked about it were the tones and moods that gave the story a sense of looming danger and struggle especially in the everyday lives of Americans and immigrants alike. Bradford Young's gorgeous cinematography captured the warm yet rigid and harsh environment during the dark times in 1980's New York where the crime rate was at it's all time highest. Whether you come out liking it or not, you can't help but appreciate Chandor's efforts and vision to highlight an unseen aspect of achieving the American dream.

Follow Kristen:

Blog // Twitter 

- See more reviews at AFI FEST -

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Year: 2014

Director: Josephine Decker
Writer(s): Josephine Decker & David Barker
Cinematographer: Ashley Connor
Cast: Sophie Traub, Joe Swanberg, Robert Longstreet
Country of Origin: U.S.
Rating: N/A
Time: 94 mins

If Terrence Malick had a twisted little sister, it would be Josephine Decker; the resemblance is clearly discernible in her sophomore feature, Thou Wast Mild & Lovely, utilizing Malick's uninhibited and experimental handheld style but with her own dash of psychosexual drama. Decker's story is framed against the backdrop of a quiet country farm, and shells out the kind of chills that not even Malick could muster. 

In the vein of John Steinbeck's East of Eden, the film follows Akin (Joe Swanberg), a man who's taken a summer job on a farm only to develop an attraction to its owner's daughter, Sarah (Sophie Traub). In what's seemingly an inevitable romance, the pair's physical attraction is amplified by their isolated setting, leading this quaint farm story to pack a ferocious intensity. If Terrence Malick had a twisted little sister, it would be Josephine Decker; the resemblance is clearly discernible in her sophomore feature, Thou Wast Mild & Lovely, utilizing Malick's uninhibited and experimental handheld style but with her own dash of psychosexual drama. Decker's story is framed against the backdrop of a quiet country farm, and shells out the kind of chills that not even Malick could muster. 

(Continue reading on Sound on Sight)

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AFI FEST has finally come and gone! AFI FEST has always been on top of their game when it comes to showcasing some of the finest and groundbreaking International and American cinema and this year, they outdid themselves. Highlighting the fest, they had an emotional and long-overdue tribute to the legendary Sophia Loren who has graced the Italian and American screens for generations. I had the privilege of being able to watch just a fraction of the films they had and I am even sad that I was not able to watch EVERYTHING! AFI FEST is a particularly great festival considering that all their tickets are FREE. Yeah, you heard that right, $FREE.99! 

And with that, you have one of the best curated film festivals in Los Angeles that caters to the mainstream and the indiest of audiences! You betcha that I was able to film some stuff while I was there so make sure to check out my film vlog down below! And keep your eyes out for upcoming reviews this week and many more updates on these films because I loved them all so much and everyone must watch them!

Top Five Films:

Girlhood (Dir. Céline Sciamma) (See review)
Mommy (Dir. Xavier Dolan)
The Tribe (Dir. Miroslav Slaboshpitsky)
The Absent (Dir. Nicholás Pereda)
Felt (Dir. Jason Banker) (See review)

A Most Violent Year (Dir. J.C. Chandor) (See Review) B+
Eden (Mia Hansen-Løve) (See interview) A 
The Midnight Swim (Dir. Sarah Adina Smith) B+
Two Days, One Night (Dir. Jean-Pierre Dardenne & Luc Dardenne) A
Merchants of Doubt (Dir. Robert Kenner) A
Inherent Vice (Dir. Paul Thomas Anderson) B+
Thou Wast Mild & Lovely (Dir. Josephine Decker) (See Review) A-
Stations of the Cross (Dir. Dietrich Brüggemann) A
Haemoo (Dir. Shim Sung-bo) (See Review) B+
Tales of the Grim Sleeper (Dir. Nick Broomfield) A
Happy Valley (Dir. Amir Bar-Lev) A
What We Do in the Shadows (Dir. Jemaine Clement & Taika Waititi) A
Fish & Cat (Dir. Shahram Mokri) A

(See  Photos)

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Mia Hansen-Løve’s fourth feature, EDEN, chronicles two decades in the Parisian club scene, starting in the early 1990s. Following aspiring young DJ, Paul (Félix de Givry), from his early gigs at house parties to a life of international travel and then through the waning popularity of garage music in the mid-2000s, the film is filled with both passion and melancholy. Hansen-Løve discusses her inspirations for the film, the importance of staying true to the authenticity of her experiences, and how Daft Punk became a vital part of the story.

AFI: What inspired you to tell this story?

MHL: I had written three films that were all very personal, but I felt like I was at the end of that inspiration. Even though EDEN is inherently a very personal film, I thought I had to explore a new territory. At the same time, I asked myself [how] the film would be about my generation and what it meant to me. That is something I asked myself when I watched Olivier Assayas’ SOMETHING IN THE AIR, because that was about his generation in the 1970s. I realized the music, especially electronic music, was the one thing that was defining for my generation. I had been talking with my brother, Sven – who had been involved in the music scene for 20 years since becoming a DJ at the age of 18 – about making a film about his story. I thought his pathway was very relevant as a way to talk about [our] generation, and its ideals, inspiration and fragility, too.

(read the rest of the interview at AFI)

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Year: 2014
Director: Jason Banker

Writer(s): Jason Banker & Amy Everson
Cinematographer: Jason Banker
Cast: Amy Everson, Kentucker Audley, Elisabeth Ferrara, Roxanne Lauren Knouse

Country of Origin: U.S.

Rating: N/A
Time: 80 min

It's a rare discovery when a film can materialize the internal terror that women experience on a daily basis so disturbingly close to reality. Blurring the lines of documentary and narrative storytelling, Felt truly is a film that demands to be felt. It accomplishes its goal by penetrating the deepest, most harrowing aspects of trauma to tell one of the most powerful and jarring stories about the female experience and rape culture ever put on screen.

Director and cinematographer Jason Banker follows his 2012 debut film, Toad Road with Felt, co-written by Amy Everson who stars in the film as Amy, a San Franciscan artist recently plagued by a trauma (not explained but certainly sexual) inflicted by the men in her life. As her ordeal unravels emotionally and psychologically, she plunges herself in the world of art as a coping mechanism. 

“My life is a fucking nightmare” are the first words out of Amy’s mouth, a vocal confirmation of her trauma, usually reserved for her performance art. From there, we see her as she caves in on herself, crawling so deep and beyond, it’s unknown where the real Amy starts and ends. She re-appropriates the male form by frolicking in the woods, wearing an anatomically correct muscle suit and trying to re-enact the dominance demonstrated by the men she’s encountered. But it doesn’t stop there, as she continues to embrace their stereotypical brash, lewd attitude outside of costume form. This outlet to reclaim the power taken from her by an unknown attacker is only the beginning of how her mental disintegration manifests. Witnessing her inner battle materialize in outer form further conveys the delusion and terror that Amy struggles with every day, heightening the grim realities and the harsh effects of our gender warped society.

(Continuing reading on Sound on Sight)

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Every year when AFI FEST rolls around, I have a massive anxiety attack for fear that I will not be able to watch everything that I possibly can! Good thing this time, my little fit only lasted about 30 minutes while I scrambled to plan out my schedule for this year! Once again, the line-up is stack with breathtaking international gems hailed from Cannes or Locarno, refreshing and hip American Independents, and high profile Gala films! It'll be a packed 8 day festival that will test the endurance down to the very fiber of my bones! There are so many great films playing but I really had to buckle down and make a schedule that will eventually benefit me as a film critic that'll quench my palette for international and independent cinema! Here are all the films I am watching at the festival!

Nov. 6 - Opening Night

A Most Violent Year (Dir. J.C. Chandor)

In the crime-ridden winter of New York City in 1981, a couple’s attempts to capitalize on the American Dream are mired in corruption and violence.


Nov. 7

The Tribe (Plemya) (Dir. Myroslav Slaboshpytskiy)

This daring film, acted entirely in sign language without the aid of subtitles or voiceover, follows a new student at a corrupt Ukrainian school for the deaf.

Eden (Dir. Mia Hansen-Løve)

Mia Hansen-Løve’s 20-year journey through the electronic dance music scene follows DJ Paul, whose love for the turntables stays strong even after the craze has ended.

The Absent (Los Ausentes) (Dir. Nicolás Pereda)

When an elderly man loses his isolated cabin, deep in the Mexican woods, he also loses his grip on reality.

It Follows (Dir. David Robert Mitchell)

A group of friends is plagued by a nightmarish supernatural threat in this coming-of-age horror film from AFI FEST alum David Robert Mitchell.


Nov. 8

On Acting: A Conversation with Michael Keaton & Edward Norton

The Midnight Swim (Dir. Sarah Adina Smith)

Three half-sisters try to unlock the mystery of their mother’s deep-water disappearance in this unsettling tale, part ghost story and part family drama.

Two Days, One Night (Deux Jours, Une Nuit) (Dir. Jean-Pierre Dardenne, Luc Dardenne)

The Cannes Palme d'Or-winning Dardenne brothers return with this tale of a young Belgian mother (Marion Cotillard) who must convince her co-workers to forego their much-needed bonuses in order to keep her job.

Merchant of Doubt (Dir. Robert Kenner)

Oscar nominee Robert Kenner’s (FOOD, INC.) latest documentary focuses on the PR masterminds and spin doctors who are paid to shift blame and delay governmental action on climate change.

Inherent Vice (Dir. Paul Thomas Anderson)

Joaquin Phoenix stars in this psychedelic surf noir from Paul Thomas Anderson, adapting the novel of the same name by Thomas Pynchon.

Nov. 9

Thou Wast Mild & Lovely (Dir. Josephine Decker)

In this psychosexual drama, a young farm worker’s attraction to his boss’s daughter unearths dark secrets.

Stations of the Cross (Kreuzweg) (Dir.Dietrich Brüggemann)

Fourteen masterfully composed single-shot scenes tell the story of adolescent Maria, a girl caught between a secular world and the strict religious teachings of her church.

Haemoo (Dir. Shim Sung-bo)

Amid a shroud of sea fog, the voyage of a South Korean boat smuggling a group of illegal immigrants turns into a catastrophe.


NOV. 10

Wild Tales (Relatos Salvajes) (Dir. Damián Szifrón)

Characters are pushed to delightfully deranged savagery in this anthology of six sublimely absurd short films.

Happy Valley (Dir. Amir Bar-Lev)

The Penn State child sex-abuse scandal, and subsequent downfall of local heroes Joe Paterno and Jerry Sandusky, is examined in this insightful documentary.

Girlhood (Bande De Filles) (Dir. Céline Sciamma)

Teenager Marieme drops out of school and finds acceptance with a gang of free-spirited girls, while taking on a new feminine identity.

May Allah Bless France! (Qu'Allah Benisse La France!) (Dir. Abd Al Malik)

French rapper Abd Al Malik adapts his raw memoir chronicling how religion and hip-hop saved him from the streets.

Nov. 11

Saint Laurent (Dir. Bertrand Bonello)

Selected as France’s official Oscar® entry, this stylish biopic follows the life and career of iconic fashion designer Yves Saint Laurent (Gaspard Ulliel), from 1967 through 1976.

The Duke of Burgundy (Peter Strickland)

An amateur butterfly collector and her housekeeper can’t get enough of their sadomasochistic games in this phantasmic tale. 

Nov. 12

Mommy (Dir. Xavier Dolan)

Xavier Dolan’s latest film, selected as Canada’s official Oscar entry, centers on a mother’s tumultuous relationship with her teenage son after he returns home from a correctional facility.

Nov. 13

Foxcatcher (Dir. Bennett Miller)

This true story follows two Olympic wrestler brothers (Channing Tatum and Mark Ruffalo) who form a dark protégé-benefactor relationship with an unhinged millionaire (Steve Carell).

So there you have it folks! It's going to be a long and tiring week nonetheless but I'll be there everyday with my trusty camera and notepad in hand scribbling my madness from the fest away! Also look out for my orange hair! AFI FEST will be from Nov. 6 - 13th! So see y'all there!

UPDATED: (Nov. 6)

Nov. 6

A Most Violent Year

Nov. 7 

The Tribe

Eden

Nov. 8 

On Acting: A Conversation with Michael Keaton and Edward Norton

The Midnight Swim

Two Days, One Night

Merchants of Doubt

Inherent Vice

Nov. 9

Thou Wast Mild & Lovely

Stations of the Cross

Haemoo

Nov. 10

Tales of the Grim Sleeper

Happy Valley

Girlhood

May Allah Bless France!

Nov. 11

What We Do in the Shadows

Fish & Cat

Flapping in the Middle of Nowhere

Nov. 12

A Tribute to Sophia Loren

Goodnight Mommy

Nov. 13

Mommy

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